Showing posts with label peter swanson. Show all posts
Showing posts with label peter swanson. Show all posts

Sunday, May 5, 2019

Before She Knew Him

Before She Knew Him by Peter Swanson (2019)

Hen and Lloyd have just moved into their new house in the (fictional) town of West Dartford, Massachusetts. When they realize that their next-door neighbors are the only other couple around without kids, they decide to try and strike up a friendship. The neighbors, Matthew and Mira, invite them over for dinner. While touring the house, Hen spots a fencing trophy in Matthew's study and instantly recognizes it as having belonged to a guy who was murdered. Everyone notices her acting strange, but even though she tries to cover it up, Matthew knows she's onto him.

But Hen has her own history with the law, and one that doesn't make her any kind of a reliable witness. It doesn't help that the only reason she recognized the trophy as the one stolen from Dustin Miller is that during a manic episode (she has bipolar disorder) she had become obsessed with his case. So of course Matthew gets rid of the trophy and Hen can't convince anyone, including her husband Lloyd, that Matthew is a murderer.

We know by about page 12 that Matthew is a murderer, so this is no traditional crime novel. But Peter Swanson's never are. The real mystery is what Hen is going to do with the information she has, and what Matthew is going to do about the fact that she knows he's a murderer. This is all very psychological, which is exactly what I like in a crime novel.

Matthew is so interesting. His early life was completely screwed up and he is very influenced by his sadistic father. His father was horribly abusive to Matthew's mother, and the result is that Matthew only wants to kill men who harm women. It's hard to argue with that, I guess, but it's a pretty harsh sentence when the harm is defined as things like cheating on a girlfriend. Matthew's brother Richard was also influenced by their parents but in a different way. The less said about that the better.

Hen was the perfect person to have dirt on Matthew, as far as the plot goes. Because of her mental illness and how that manifested in paranoia previously, she cannot convince anyone that what she observes is true. She can see Matthew murder a person in front of her and there is still doubt about her as an eyewitness. Matthew is a beloved teacher; Hen is a mentally ill woman who suffers delusions. Who is going to be believed?

If I had to criticize anything at all about this book, it's just that I wanted more from Mira. We get her perspective at one point, a point at which she is becoming suspicious about her husband, but I would have loved more from her later. I just found the whole situation so fascinating and screwed up and there was more I wanted to know about. But if my worst criticism of a book is that I want more of it, that's the sign of a pretty good book.

If you like crime novels and haven't read Peter Swanson yet, get to it! I'm very much looking forward to seeing him in person at a conference I just signed up for. He'll be on a panel with a couple of other Massachusetts mystery/thriller authors and I can't wait hear what he has to say!

Friday, April 27, 2018

All the Beautiful Lies

All the Beautiful Lies by Peter Swanson (2018)

Just days before his college graduation, Harry Ackerman learns that his father has died. He returns home to Maine, to his stepmother Alice, where he learns that his fathers death may not have been an accident. A mysterious young woman attends his father's funeral, and Harry befriends her because he's convinced there's a connection. Meanwhile, his relationship with Alice is a bit awkward as Harry tries to dampen the attraction he's always had to her. As the story progresses, chapters alternate between the current time and Alice's youth, until the full story is revealed.

In true Swanson fashion, the twists and turns the story takes are often surprising and in that way it lives up to his other books that I've read, The Kind Worth Killing and Her Every Fear. I think I was less shocked at some of the reveals this time, but that's likely because I'm familiar with Swanson's work and I know by now to expected the unexpected. I had a lot of fun guessing what was going on.

Unlike with his other books, I got mightily creeped out for a while here. I tend to read before bed and I had some strange dreams, and once I even had to stop myself and put the book down for the night because I saw where it was going and I wasn't ready to experience it just before sleeping. I could barely put the book down, but was also motivated to finish it quickly so I wouldn't have many sleeps while reading it. Once I got past a few of the parts around the middle of the book, I was less affected by the rest. But of course I kept plowing through it because it was good and I needed to find out the truth!

Aspects of this story will likely turn off some readers who are easily icked out by certain taboo relationships, and there were moments where I wondered at some of the coincidences. But ultimately it didn't much matter and the story was completely engrossing. I think I liked his other two books more, but just by a hair. I can't imagine why Swanson isn't more popular. There was a waiting list at the library when it came out, but it was modest. I know crime is popular and in my opinion Swanson's books surpass - or are at least equal too - those by popular authors like Ruth Ware and Gillian Flynn. If you like crime novels, Peter Swanson is a must-read.

Wednesday, February 8, 2017

Her Every Fear

Her Every Fear by Peter Swanson (2017)

Kate Priddy has always been anxious, but a few years ago a traumatic experience with an ex-boyfriend put her over the edge. She is finally ready to leave the safety of her parents' house and agrees to apartment-swap with a second cousin she's never met. He'll come to London for work and stay her flat; she'll travel to Boston and stay in his Beacon Hill apartment and take classes. But the day after she arrives, the next-door neighbor is found murdered. Did her cousin Corbin have something to do with it? And what of the kind but somewhat-creepy neighbor Alan, whose apartment gives him a perfect view through the murdered woman's windows? Kate doesn't know who to trust, and neither do we.

Everything about Kate's experiences were tinged with creepiness. Because she had been subject to violence in the past and was still haunted by it, she often doubted her instincts. She would hear a sound or find something out-of-place in the apartment and grow suspicious, but then assume she was just being paranoid. She also had compulsions whereby as soon as a thought entered her head - like when she found a key to Corbin's basement storage unit and wondered if it contained clues - she had to check on it. If she didn't, she would be convinced something dark was lurking there. The whole setup just added to it: she's staying in a cousin's apartment but has never met him, there's a cat that comes and goes throughout the building, sneaking into apartments whenever he feels like it, Alan Cherney across the way admits he used to watch the murdered woman through her window, and a mysterious man who claimed to be a good friend of the victim starts hanging around, chumming up to the building's residents. So many things add to the creepy atmosphere and the feelings of uncertainty experienced by more than just Kate.

I really want to talk about Corbin and his story, but I'll have to reserve that conversation to have with someone who's read the book because it's too good to spoil. Let's just say I had some conflicting feelings about this cleverly-crafted character.

This plot involved a lot of violence against women, the sort we sometimes hear about in the news. A man is spurned or humiliated by a woman and lashes out, maybe at that woman or just women in general (because we are all the same.) It's especially sickening because it's so real. But it goes even farther. There is more than one murder in this novel, and we get parts of the story from the perspective of a murderer and I found it incredibly disturbing. It was worth it in the end, but be warned if your tolerance for vileness has limits.

I was very tense the entire time I was reading this suspenseful story. Kate was a fantastic protagonist who I rooted for. I didn't know who else to trust. Alan seemed nice enough so I hoped that he was a good guy, despite being a little off. The whole premise of the story was great, and it was executed very well. If you can stand a lot of violence and creepiness, I highly recommend it. I'd also encourage you to check out Swanson's last novel, The Kind Worth Killing.

Wednesday, April 27, 2016

The Kind Worth Killing

The Kind Worth Killing by Peter Swanson (2015)

While waiting for a flight back home to Boston, two strangers meet in a London airport bar. After several martinis Ted admits that his wife, Miranda, has been cheating on him, and jokes that he wants to kill her. Lily casually agrees that she deserves to die and offers to help. From here, the two get more involved as they form their plan, but there's a lot that Ted doesn't know about Lily and that neither of them know about Miranda.

I was first struck by the idea that murdering a spouse was somehow preferable to just getting a divorce. It's an awful lot of trouble to go through, and you might end up in jail because of someone you hate. But Ted was rich and his wealth was at stake, and it seems like money can be a huge motivator in crime. In the beginning, I was also rather taken aback by how casually Ted and Lily were discussing this murder they were planning. It seemed sort of unreal, but also disturbing real. (The night I started reading the book I had an upsetting dream that I killed someone and couldn't figure out how to hide the body.)

So at the outset I wasn't sure how I felt about this book and was not especially excited about it, and then...then, the first half ended and the second part began. Here, there was a game change and that is when things got really interesting and it became a whole different kind of book. The least said about this the better, but I just want you to know that if you start reading this and you're not sure whether to keep going, you should because it gets really good about halfway through.

The narrative viewpoint switches from chapter to chapter, sticking with Ted and Lily for the first half of the book. As it progresses, though, the narration shifts around to different characters and, oh, it is not at all what I thought when I started. I'm sorry for doubting you, Peter Swanson.

Once things really got going I couldn't put the book down, and I really didn't know how it would all turn out. It kept me guessing until the very end. I hate to make direct comparisons, but I think those who like dark, psychological crime novels like Gone Girl or Eileen will likely find this one as satisfying as I did.