The Red Lotus by Chris Bohjalian (2020), narrated by Rebecca Lowman
It was all very dramatic because I was on hold for this book through the library but by the time it was published we were closed because of the coronavirus. Also, a friend had mentioned to me that the audio version was narrated by Rebecca Lowman, one of my favorite (possibly my very favorite) narrators. So I bought some extra Audible credits, and it was worth every penny.
Alexis is an emergency room doctor who met her boyfriend Austin when he came to the ER with a bullet wound. In a strange coincidence, it turns out that he works there too, but in a fundraising position. Six months later they are on a bicycling trip in Vietnam and Austin goes missing. I won't say much more about the plot because I don't want to give too much away, but the story really becomes intriguing when Alexis learns Austin lied about one of the reasons why he wanted to go to Vietnam.
On top of what happened to Austin, Alexis then has to deal with the fact of that lie and what it meant about the person she thought she knew. Having their relationship be fairly new is what made this storyline great. And there's more - there's a whole plot having to do with rats and disease and what Austin potentially had to do with it.
This book shouldn't have made me want to go on a bike tour of Vietnam, but it did and I don't even ride a bike. Vietnam sounded gorgeous though. The novel is very much in the same vein of Bohjalian's last couple of books, The Flight Attendant and The Guest Room, as opposed to his older books. A little bit mystery, a little bit thriller, very much character-driven. Alexis has some darkness in her past, but as an emergency room doctor she has learned to be calm in difficult circumstances. I really liked being immersed in her story, and Rebecca Lowman was the perfect narrator for her. (Honestly I think I like characters more when she narrates them.)
You probably know that Chris Bohjalian is one of my favorite authors and I've read all of his books except I think The Water Witches. The only other one I've listened to on audio was Before You Know Kindness because I happened to come into a free copy of it. They are the kind of books I don't have the patience to stretch out into 2 weeks, which is how long it usually takes me for an audiobook. But thanks to the pandemic, I've been at home with nothing but knitting and puzzles to occupy me which has been the perfect environment for this. If you've liked his other recent books, you'll likely enjoy this one too. And if you're into audio, I do highly recommend that version.
Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts
Saturday, April 4, 2020
The Red Lotus
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Wednesday, April 1, 2020
Washington Black
Washington Black by Esi Edugyan (2018)
This novel opens on a sugar plantation in Barbados in 1830. Here we meet young George Washington Black, born a slave and destined to spend his life working the fields. Until the master's brother arrives, that is. Titch, as he is known, is trying to build a flying vehicle he calls a cloud-cutter and he requires an assistant to help him and to be used as ballast. Wash seems about the right size, and this chance meeting is to change his life.
Moving from Barbados to the Arctic to Nova Scotia and beyond, nothing that happens could have ever been imagined by the young boy. He learns he is a talented artist and is especially fascinated by sea life. He is pursued by a slave-catcher and he's recognizable because of scarring on his face, so a dark shadow follows him, no matter how far away he goes.
His relationship with Titch remains the focal point of the story though. Wash always wonders why Titch picked him, and long after they are separated he still is not free of him. Without Titch, he'd still be on the plantation, but he doubts that his admiration for the man was reciprocated, and he is tortured by what he sees as their unfinished business. Another significant relationship is with Tanna, a woman he meets while drawing at the seaside and who happens to be the daughter of an author with whom Wash is familiar. She and her father both become integral to his life.
This is the best thing I've read recently. It's a grand adventure to many disparate parts of the world, more than a well-traveled modern person would ever see, and it all begins accidentally for Washington Black. He meets new friends, but never forgets those from the plantation, especially Big Kit, a mother figure with whom he had a close but tempestuous relationship. He thinks about her often as he travels the world.
This is such a different view of the 19th century than I am used to. First of all, it doesn't take place primarily in England or the United States. But also, we see parts of the world I don't usually see in novels set in that era, such as Barbados, Nova Scotia, and even Morocco, and those places all come with vivid descriptions. Wash is black, which of course provides a very different perspective, and his unique situation is just fascinating. Everything felt fresh and unexpected. I haven't read anything like it, and I was completely absorbed.
Washington Black was on many "Best of" lists after it came out, and the honor is well-deserved. If you'd like to read an adventurous historical novel told from an unusual perspective, I highly recommend it.
This novel opens on a sugar plantation in Barbados in 1830. Here we meet young George Washington Black, born a slave and destined to spend his life working the fields. Until the master's brother arrives, that is. Titch, as he is known, is trying to build a flying vehicle he calls a cloud-cutter and he requires an assistant to help him and to be used as ballast. Wash seems about the right size, and this chance meeting is to change his life.
Moving from Barbados to the Arctic to Nova Scotia and beyond, nothing that happens could have ever been imagined by the young boy. He learns he is a talented artist and is especially fascinated by sea life. He is pursued by a slave-catcher and he's recognizable because of scarring on his face, so a dark shadow follows him, no matter how far away he goes.
His relationship with Titch remains the focal point of the story though. Wash always wonders why Titch picked him, and long after they are separated he still is not free of him. Without Titch, he'd still be on the plantation, but he doubts that his admiration for the man was reciprocated, and he is tortured by what he sees as their unfinished business. Another significant relationship is with Tanna, a woman he meets while drawing at the seaside and who happens to be the daughter of an author with whom Wash is familiar. She and her father both become integral to his life.
This is the best thing I've read recently. It's a grand adventure to many disparate parts of the world, more than a well-traveled modern person would ever see, and it all begins accidentally for Washington Black. He meets new friends, but never forgets those from the plantation, especially Big Kit, a mother figure with whom he had a close but tempestuous relationship. He thinks about her often as he travels the world.
This is such a different view of the 19th century than I am used to. First of all, it doesn't take place primarily in England or the United States. But also, we see parts of the world I don't usually see in novels set in that era, such as Barbados, Nova Scotia, and even Morocco, and those places all come with vivid descriptions. Wash is black, which of course provides a very different perspective, and his unique situation is just fascinating. Everything felt fresh and unexpected. I haven't read anything like it, and I was completely absorbed.
Washington Black was on many "Best of" lists after it came out, and the honor is well-deserved. If you'd like to read an adventurous historical novel told from an unusual perspective, I highly recommend it.
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Monday, March 30, 2020
The Wallflower Wager
The Wallflower Wager (Girl Meets Duke #3) by Tessa Dare (2019)
We've met Lady Penelope Campion earlier in this series. She is an animal lover - her house full of a whole menagerie of animals from a dog to a goat to a hedgehog - and a vegetarian who is constantly foisting her creations, such as her "sham" sandwiches on her friends. She is also (unsurprisingly?) single. When the book opens, her Aunt Caroline tells her that her brother is on his way to come collect her and take her back to the country since she has no marriage prospects and has pretty much squandered her opportunities in society. Penny panics, and makes a deal with her aunt that she'll get rid of all her animals and appear in the society pages at least once if it means she can stay.
Meanwhile, the house next to hers has been newly purchased by Gabriel Duke, also known as the Duke of Ruin. He has a tragic backstory of growing up in a workhouse and making himself rich, I guess by financially ruining other people. He has a terrible reputation, but Penny is irresistibly drawn to him and doesn't care what anyone else thinks. He's planning to resell the house after it's remodeled and wants Penny to stay in her house because apparently having a Lady next door makes the property more valuable, so he ends up agreeing to help her rehome her menagerie and make it into the society pages.
I read all three books in this series because I had heard such good reviews of this one, but it turns out to be the book I liked least. The premise wasn't very strong to begin with and somehow the romance between Penny and Gabriel didn't have enough tension for me. The latter part of the book, where things ramp up before the finale, was not very satisfying. Without spoiling too much, it involves a part where Gabriel threatens another person on Penny's behalf and without her approval, which is thing I hate, and which also happened in the first book in the series. Here though, it was worse and he could have gotten himself killed, which makes it clear it's something he's doing to satisfy his own anger and not actually for her (which I think is usually the case when men get all self-righteous about going after someone who wronged their woman.)
Also, this all came to a head in the middle of a ball, and things were kind of left hanging. When the person arrived who had wronged Penny in the past, Gabriel took him to his study and Penny followed and it got all dramatic, but then the story skipped ahead to the morning. First of all, Gabriel was going to announce their engagement at this ball. But did they even return to the ball after this meeting? I mean, they must have since it was at Gabriel's house. Or did he make everyone leave? It was weird to not even mention this. Also, just before this thing happened, Penny's friend Nicola freaked out because she spotted someone in the ballroom who she said was her fiance, and everyone was shocked and asked her to explain. They all went to discuss this surprise, but Penny followed Gabe instead and this thread of Nicola's secret relationship was never picked up again. I assume that's what the next book will be about, but it was handled rather clumsily here.
I know a lot of people loved this book, and I didn't dislike it enough to stop reading it - mostly, it was fairly amusing and I do love Penny's character. But when all was said and done, it fell rather flat for me.
We've met Lady Penelope Campion earlier in this series. She is an animal lover - her house full of a whole menagerie of animals from a dog to a goat to a hedgehog - and a vegetarian who is constantly foisting her creations, such as her "sham" sandwiches on her friends. She is also (unsurprisingly?) single. When the book opens, her Aunt Caroline tells her that her brother is on his way to come collect her and take her back to the country since she has no marriage prospects and has pretty much squandered her opportunities in society. Penny panics, and makes a deal with her aunt that she'll get rid of all her animals and appear in the society pages at least once if it means she can stay.
Meanwhile, the house next to hers has been newly purchased by Gabriel Duke, also known as the Duke of Ruin. He has a tragic backstory of growing up in a workhouse and making himself rich, I guess by financially ruining other people. He has a terrible reputation, but Penny is irresistibly drawn to him and doesn't care what anyone else thinks. He's planning to resell the house after it's remodeled and wants Penny to stay in her house because apparently having a Lady next door makes the property more valuable, so he ends up agreeing to help her rehome her menagerie and make it into the society pages.
I read all three books in this series because I had heard such good reviews of this one, but it turns out to be the book I liked least. The premise wasn't very strong to begin with and somehow the romance between Penny and Gabriel didn't have enough tension for me. The latter part of the book, where things ramp up before the finale, was not very satisfying. Without spoiling too much, it involves a part where Gabriel threatens another person on Penny's behalf and without her approval, which is thing I hate, and which also happened in the first book in the series. Here though, it was worse and he could have gotten himself killed, which makes it clear it's something he's doing to satisfy his own anger and not actually for her (which I think is usually the case when men get all self-righteous about going after someone who wronged their woman.)
Also, this all came to a head in the middle of a ball, and things were kind of left hanging. When the person arrived who had wronged Penny in the past, Gabriel took him to his study and Penny followed and it got all dramatic, but then the story skipped ahead to the morning. First of all, Gabriel was going to announce their engagement at this ball. But did they even return to the ball after this meeting? I mean, they must have since it was at Gabriel's house. Or did he make everyone leave? It was weird to not even mention this. Also, just before this thing happened, Penny's friend Nicola freaked out because she spotted someone in the ballroom who she said was her fiance, and everyone was shocked and asked her to explain. They all went to discuss this surprise, but Penny followed Gabe instead and this thread of Nicola's secret relationship was never picked up again. I assume that's what the next book will be about, but it was handled rather clumsily here.
I know a lot of people loved this book, and I didn't dislike it enough to stop reading it - mostly, it was fairly amusing and I do love Penny's character. But when all was said and done, it fell rather flat for me.
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Saturday, March 28, 2020
French Exit
French Exit by Patrick deWitt (2018)
Frances Price is well known because twenty years ago when her husband died at home, she responded by leaving on her planned ski trip and didn't report his death until she returned. Now, she and her adult son Malcolm have lost all their money, and are moving to Paris to live in Frances's friend Joan's apartment. Coming with them is their cat, Small Frank, who Frances is convinced is actually her dead husband in feline form.
They are a strange pair, Frances and Malcolm. Mother and child BFFs, more devoted to each other than anyone else, including Malcolm's fiance who he left behind to go to Paris. No question he'd choose his mother over her, which was fine with Frances, who didn't even like Susan to begin with.
On the way over, they meet a psychic aboard their ship (they are the sort of people who travel by ship) with whom Malcolm has a brief affair. Her name is Madeleine and when she sees their cat, she knows he's not a regular cat. Once settled in Paris, Small Frank run away and Frances decides she needs to find Madeleine, who could help them find, or communicate with, Small Frank. She hires a private investigator to find Madeline and soon, both of them are hanging out at the apartment with Frances and Malcolm, along with Joan (the owner of the apartment), a wine seller, Malcolm's ex-fiance and her boyfriend, and I think a couple of other people I can't even remember. It's a bizarre assortment of people, and unclear why they all remain hanging about, but it adds to the comedy of the situation.
It's a dark comedy though, which is the kind of comedy I like best. Frances and Malcolm are not likable people at all, so even though you're left not caring what kind of end they come to, it's fascinating to watch it happen. Their friends and hangers-on comprise a motley assortment and I've just realized what an amusing and entertaining movie this would make. I've also heard that the audiobook version is spectacular. There are so many strange and quirkly personalities here, and such a great premise, it was bound to be a lot of fun. Dark, twisted fun.
Frances Price is well known because twenty years ago when her husband died at home, she responded by leaving on her planned ski trip and didn't report his death until she returned. Now, she and her adult son Malcolm have lost all their money, and are moving to Paris to live in Frances's friend Joan's apartment. Coming with them is their cat, Small Frank, who Frances is convinced is actually her dead husband in feline form.
They are a strange pair, Frances and Malcolm. Mother and child BFFs, more devoted to each other than anyone else, including Malcolm's fiance who he left behind to go to Paris. No question he'd choose his mother over her, which was fine with Frances, who didn't even like Susan to begin with.
On the way over, they meet a psychic aboard their ship (they are the sort of people who travel by ship) with whom Malcolm has a brief affair. Her name is Madeleine and when she sees their cat, she knows he's not a regular cat. Once settled in Paris, Small Frank run away and Frances decides she needs to find Madeleine, who could help them find, or communicate with, Small Frank. She hires a private investigator to find Madeline and soon, both of them are hanging out at the apartment with Frances and Malcolm, along with Joan (the owner of the apartment), a wine seller, Malcolm's ex-fiance and her boyfriend, and I think a couple of other people I can't even remember. It's a bizarre assortment of people, and unclear why they all remain hanging about, but it adds to the comedy of the situation.
It's a dark comedy though, which is the kind of comedy I like best. Frances and Malcolm are not likable people at all, so even though you're left not caring what kind of end they come to, it's fascinating to watch it happen. Their friends and hangers-on comprise a motley assortment and I've just realized what an amusing and entertaining movie this would make. I've also heard that the audiobook version is spectacular. There are so many strange and quirkly personalities here, and such a great premise, it was bound to be a lot of fun. Dark, twisted fun.
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Wednesday, March 25, 2020
Josh and Hazel's Guide to Not Dating
Josh and Hazel's Guide to Not Dating by Christina Lauren (2018)
The first time Josh and Hazel met, she was drunk and propositioned him before throwing up on his shoes. She has no restraint whatsoever, says whatever she's thinking, and is totally wild and carefree. Josh, in contrast, is mellow and sensible and not at all her type, obviously. Many years after college they meet again, unexpectedly, and become friends. Platonic friends. They start going on double blind dates, fixing each other up with a series of increasingly unsuitable potential partners. But of course, they really just want each other.
Hazel was great. She's a third grade teacher who definitely understands eight-year-olds and lives in an apartment with a dog, a rabbit (Janis Hoplin!), a parrot, and a fish. She is the sort of person who is considered "too much" by many people, even "embarrassing." She knows this and she knows why, but also doesn't try to change who she is. I love that her mother is the same way. They have a great relationship that I really enjoyed, and seeing how people like her father treated her mother only makes Hazel more determined to stay true to herself.
Although Josh is totally different, he finds Hazel to be a lot of fun. She's genuine and a great person and seems to like his family. She's best friends with his sister Emily, also a teacher, and makes an effort to get to know his parents, unlike his recent ex-girlfriend Tabby who was totally uninterested in his family. When he and Hazel get together, it is always an adventure.
So what's keeping them apart? Their newly-developed friendship is so important to both of them that they don't dare risk losing it. Hazel worries about being way to obnoxious for Josh and Josh thinks he might not be enough for Hazel. Of course, they can only put their feelings aside for so long.
The only thing I didn't love about this book was that the epilogue is several years in the future, which is something I almost never like. Otherwise, it was just exactly what I needed right now. So funny, so sweet, so quick to read - I think I read it in about 36 hours. I almost wish I had slowed down to make it last longer, but it's like candy and I couldn't resist.
I also really liked Christina Lauren's book Dating You / Hating You so I guess now I can consider myself a fan. I'm definitely in a space where I'll probably be reading a lot more romance so I may check out their other books.
The first time Josh and Hazel met, she was drunk and propositioned him before throwing up on his shoes. She has no restraint whatsoever, says whatever she's thinking, and is totally wild and carefree. Josh, in contrast, is mellow and sensible and not at all her type, obviously. Many years after college they meet again, unexpectedly, and become friends. Platonic friends. They start going on double blind dates, fixing each other up with a series of increasingly unsuitable potential partners. But of course, they really just want each other.
Hazel was great. She's a third grade teacher who definitely understands eight-year-olds and lives in an apartment with a dog, a rabbit (Janis Hoplin!), a parrot, and a fish. She is the sort of person who is considered "too much" by many people, even "embarrassing." She knows this and she knows why, but also doesn't try to change who she is. I love that her mother is the same way. They have a great relationship that I really enjoyed, and seeing how people like her father treated her mother only makes Hazel more determined to stay true to herself.
Although Josh is totally different, he finds Hazel to be a lot of fun. She's genuine and a great person and seems to like his family. She's best friends with his sister Emily, also a teacher, and makes an effort to get to know his parents, unlike his recent ex-girlfriend Tabby who was totally uninterested in his family. When he and Hazel get together, it is always an adventure.
So what's keeping them apart? Their newly-developed friendship is so important to both of them that they don't dare risk losing it. Hazel worries about being way to obnoxious for Josh and Josh thinks he might not be enough for Hazel. Of course, they can only put their feelings aside for so long.
The only thing I didn't love about this book was that the epilogue is several years in the future, which is something I almost never like. Otherwise, it was just exactly what I needed right now. So funny, so sweet, so quick to read - I think I read it in about 36 hours. I almost wish I had slowed down to make it last longer, but it's like candy and I couldn't resist.
I also really liked Christina Lauren's book Dating You / Hating You so I guess now I can consider myself a fan. I'm definitely in a space where I'll probably be reading a lot more romance so I may check out their other books.
Sunday, March 22, 2020
The Giver of Stars
The Giver of Stars by Jojo Moyes (2019)
Jojo Moyes became very popular with Me Before You, a book that I am still very uninterested in reading. I've not been interested in any of her books until this one, a historical novel about the packhorse librarians of Kentucky during the Depression. Librarians, you say? Why yes, yes this does interest me. It helps that one of my coworkers who doesn't like her older books told me that this one was good.
It begins with Alice, a young English woman who meets and marries an American named Bennett Van Cleve, partly just to escape her unsatisfying life in which she is constantly disappointing her parents. So she moves to rural Kentucky with Bennett and his father, and proceeds to disappoint both of them. But! She meets Margery O'Hare, who is running the local packhorse library and signs up to help with book deliveries to poor families who aren't able to come into town. It's hard work, but very satisfying, unlike her lackluster marriage, which has basically fizzled before it even got started.
The Van Cleves don't like Margery because of her family and disapprove of Alice being associated with her. I don't think Bennett actually cares that much, but he just goes along with whatever his father wants because he's a total wuss. But his father continues to get riled up and starts complaining pretty publicly about the library, disapproving of the effects of all this book readin' on local women who are no longer doing their housework because they are instead reading novels (yeah!) and also there's a rumor of a very inappropriate book about sex being passed around. In short, Mr. Van Cleve is an ass, and also a total hypocrite since he owns the local mines and is not looking out for the well-being of the people who risk their lives working for him.
Well, there is so much more to this story but of course I don't want to give it all away. A lot of things come up about the conditions of women in this place and time, and I really rooted for all the librarians who were bucking tradition in various ways. I loved Margery O'Hare especially, the leader of the library and pariah in the town, who very much lived her life the way she wanted without a care for appearance or expectations. Of course it hurts her, but she is a very strong woman. Alice had a transformation throughout the book and it was great to see how she navigated her terrible marriage and her friendships and family expectations, and figured out what she really wanted for herself.
My only criticism is that it all wrapped up so very quickly at the end. I hoped things would be pretty neat and tidy (we're in the midst of a pandemic and I don't need more bad news) but I just wish more time had been allotted to the ending and how everything turned out for everyone. But that didn't put much of a damper on my enjoyment.
This story has it all - adventure, romance, even a murder trial - and I had a great time immersing myself in it.
Jojo Moyes became very popular with Me Before You, a book that I am still very uninterested in reading. I've not been interested in any of her books until this one, a historical novel about the packhorse librarians of Kentucky during the Depression. Librarians, you say? Why yes, yes this does interest me. It helps that one of my coworkers who doesn't like her older books told me that this one was good.
It begins with Alice, a young English woman who meets and marries an American named Bennett Van Cleve, partly just to escape her unsatisfying life in which she is constantly disappointing her parents. So she moves to rural Kentucky with Bennett and his father, and proceeds to disappoint both of them. But! She meets Margery O'Hare, who is running the local packhorse library and signs up to help with book deliveries to poor families who aren't able to come into town. It's hard work, but very satisfying, unlike her lackluster marriage, which has basically fizzled before it even got started.
The Van Cleves don't like Margery because of her family and disapprove of Alice being associated with her. I don't think Bennett actually cares that much, but he just goes along with whatever his father wants because he's a total wuss. But his father continues to get riled up and starts complaining pretty publicly about the library, disapproving of the effects of all this book readin' on local women who are no longer doing their housework because they are instead reading novels (yeah!) and also there's a rumor of a very inappropriate book about sex being passed around. In short, Mr. Van Cleve is an ass, and also a total hypocrite since he owns the local mines and is not looking out for the well-being of the people who risk their lives working for him.
Well, there is so much more to this story but of course I don't want to give it all away. A lot of things come up about the conditions of women in this place and time, and I really rooted for all the librarians who were bucking tradition in various ways. I loved Margery O'Hare especially, the leader of the library and pariah in the town, who very much lived her life the way she wanted without a care for appearance or expectations. Of course it hurts her, but she is a very strong woman. Alice had a transformation throughout the book and it was great to see how she navigated her terrible marriage and her friendships and family expectations, and figured out what she really wanted for herself.
My only criticism is that it all wrapped up so very quickly at the end. I hoped things would be pretty neat and tidy (we're in the midst of a pandemic and I don't need more bad news) but I just wish more time had been allotted to the ending and how everything turned out for everyone. But that didn't put much of a damper on my enjoyment.
This story has it all - adventure, romance, even a murder trial - and I had a great time immersing myself in it.
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Friday, March 20, 2020
Coupla graphic novels
Recently I read two very different graphic novels, which I'm combining into one post.
Swimsuit by Rachel Ang (2018)
In this quiet story, a young woman named Jenny meets up with a former love interest at a local pool. They have some awkward conversation, go swimming for a bit, then sit next to the pool. They witness a traumatic event happen to another person, at which her ex says, "This sort of thing seems to always happen when we're together." Then they part ways, Jenny goes home, and is sad.
It's a very moody story, made more so by the blue-on-pale-yellow drawings on every page. Jenny is clearly self-conscious in her bathing suit, especially as her ex shows her photos of his new girlfriend. Watching someone come close to death does not lighten the mood. It was all very uncomfortable, yet relatable.
Mostly told through sparse conversation and simple but emotional drawings, it was very understated yet powerful.
The Prince and the Dressmaker by Jen Wang (2018)
My coworkers have been raving about this one for a while! It's about a prince whose parents are trying to find a wife for him, and the dressmaker he hires to make dresses for him. He has a whole secret life where he dresses as a very fashionable woman and he needs to keep it a secret. Frances is happy for the opportunity to work for a prince and her work is really getting noticed - but she has to stay out of the spotlight because people know she works for Prince Sebastian and they can't know that this fashionable woman wearing such amazing creations is also Sebastian.
This story is very sweet and I love how their friendship bloomed and how Frances accepted Sebastian for who he is without question. The art was colorful and dramatic and everything about it was so much fun.
Swimsuit by Rachel Ang (2018)
In this quiet story, a young woman named Jenny meets up with a former love interest at a local pool. They have some awkward conversation, go swimming for a bit, then sit next to the pool. They witness a traumatic event happen to another person, at which her ex says, "This sort of thing seems to always happen when we're together." Then they part ways, Jenny goes home, and is sad.
It's a very moody story, made more so by the blue-on-pale-yellow drawings on every page. Jenny is clearly self-conscious in her bathing suit, especially as her ex shows her photos of his new girlfriend. Watching someone come close to death does not lighten the mood. It was all very uncomfortable, yet relatable.
Mostly told through sparse conversation and simple but emotional drawings, it was very understated yet powerful.
The Prince and the Dressmaker by Jen Wang (2018)
My coworkers have been raving about this one for a while! It's about a prince whose parents are trying to find a wife for him, and the dressmaker he hires to make dresses for him. He has a whole secret life where he dresses as a very fashionable woman and he needs to keep it a secret. Frances is happy for the opportunity to work for a prince and her work is really getting noticed - but she has to stay out of the spotlight because people know she works for Prince Sebastian and they can't know that this fashionable woman wearing such amazing creations is also Sebastian.
This story is very sweet and I love how their friendship bloomed and how Frances accepted Sebastian for who he is without question. The art was colorful and dramatic and everything about it was so much fun.
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Sunday, March 15, 2020
The Sundial
The Sundial by Shirley Jackson (1958)
The Halloran family is gathered together for a funeral - poor Lionel, apparently pushed down the stairs by his mother, Mrs. Halloran. While they are gathered, eccentric Aunt Fanny receives a communication from her dead father, warning the family that the world is going to end and only they will be saved. They must remain in the house together to await the apocalypse.
I didn't actually know what this book was going to be about, but luckily I am unbothered by reading about people hoarding food and supplies for their isolation period at home while it is happening all around me in real life. It is never a bad time for a Shirley Jackson novel.
Honestly, the matriarch of the family murdering her own son became quite beside the point, but lent a lot of dark humor to the story. Lionel's widow and daughter brought it up a lot at first, but then everyone became consumed by the dead Mr. Halloran's prophecy. Everyone had to decide whether or not they were on board with the plan to hunker down and wait for the world to end, and most of the family went along with it. They also had some hangers-on who weren't family - Essex, who had been hired to catalog the library but who the family ended up treating as a general servant and source of advice. A late arrival known only as "the captain" was the only other male aside from Essex and the unwell Mr. Halloran who kept to his wheelchair and seemed very confused most of the time. This is important because after the apocalypse this group would need to repopulate the world and there were more ladies than gentlemen so there was a bit of competition for attention.
The subject is dark, but like I said it was pretty funny too. People just outwardly insulted each other in a fairly carefree way, and there was a good deal of ridiculous melodrama. It was slightly creepy and ominous and enough was left open to maintain an air of mystery. I thought it was great - I continue to love Shirley Jackson's work more and more.
The Halloran family is gathered together for a funeral - poor Lionel, apparently pushed down the stairs by his mother, Mrs. Halloran. While they are gathered, eccentric Aunt Fanny receives a communication from her dead father, warning the family that the world is going to end and only they will be saved. They must remain in the house together to await the apocalypse.
I didn't actually know what this book was going to be about, but luckily I am unbothered by reading about people hoarding food and supplies for their isolation period at home while it is happening all around me in real life. It is never a bad time for a Shirley Jackson novel.
Honestly, the matriarch of the family murdering her own son became quite beside the point, but lent a lot of dark humor to the story. Lionel's widow and daughter brought it up a lot at first, but then everyone became consumed by the dead Mr. Halloran's prophecy. Everyone had to decide whether or not they were on board with the plan to hunker down and wait for the world to end, and most of the family went along with it. They also had some hangers-on who weren't family - Essex, who had been hired to catalog the library but who the family ended up treating as a general servant and source of advice. A late arrival known only as "the captain" was the only other male aside from Essex and the unwell Mr. Halloran who kept to his wheelchair and seemed very confused most of the time. This is important because after the apocalypse this group would need to repopulate the world and there were more ladies than gentlemen so there was a bit of competition for attention.
The subject is dark, but like I said it was pretty funny too. People just outwardly insulted each other in a fairly carefree way, and there was a good deal of ridiculous melodrama. It was slightly creepy and ominous and enough was left open to maintain an air of mystery. I thought it was great - I continue to love Shirley Jackson's work more and more.
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Tuesday, March 10, 2020
Oona Out of Order
Oona Out of Order by Margarita Montimore (2020)
It's New Year's Eve and when the clock strikes midnight, it will be 1983 and Oona will be 19 years old. Except that's not what happens. Instead, it's 2015 and she's 51 years old. She is with her personal assistant, Kenzie, who explains everything to her. Each year when it becomes midnight on New Year's Eve she leaps to a different year of her life. Of course she's never met this man before and doesn't believe that this mansion is her house, and she flees. But soon she realizes that it really is 2015 and her life makes no sense anymore.
This all sounded very gimmicky, but I assure you it's actually a great story! When Oona leaves 1982 she was on the precipice of making a major decision about her life. Go to London for school, or stay in New York with her boyfriend Dale and tour with their band. She has no idea what is the right decision and now that decision is delayed. I mean, she made it back in early 1983 but she hasn't experienced that year for herself yet. She sometimes writes notes to herself on New Year's Eve so the following morning, whichever Oona is inhabiting her body will have some guidance for that year or clues about who she is with at the time. It can get very complicated. I cannot understand time travel and there were times I was figuratively scratching my head but I think it all makes sense.
Living life with no continuity means that it's extremely difficult to maintain friendships and relationships. Her mother Madeleine is a constant, and she and Kenzie are the only two people who know the truth about what happens with Oona. It can be a lonely existance in many ways. But it's also a great lesson in living in the moment and not worrying too much about the consequences of your decisions or what is going to come next. Oona really needs to roll with it. There are some perks. If a person dies, she'll probably still see them again. And youth isn't wasted on her because she has been much older and knows to appreciate being young. It was fascinating to experience this and learn these lessons along with Oona.
If anything, I wanted more. This isn't a long book so we can only get so many years. It jumped around, obviously, but there were some years that were near other years we read about, which filled in the blanks on some of the storylines and kept the whole thing feeling more like a story rather than a series of vignettes. It was a pretty quick, light read even though it tackled some serious themes. It was a whole lot of fun and very satisfying!
It's New Year's Eve and when the clock strikes midnight, it will be 1983 and Oona will be 19 years old. Except that's not what happens. Instead, it's 2015 and she's 51 years old. She is with her personal assistant, Kenzie, who explains everything to her. Each year when it becomes midnight on New Year's Eve she leaps to a different year of her life. Of course she's never met this man before and doesn't believe that this mansion is her house, and she flees. But soon she realizes that it really is 2015 and her life makes no sense anymore.
This all sounded very gimmicky, but I assure you it's actually a great story! When Oona leaves 1982 she was on the precipice of making a major decision about her life. Go to London for school, or stay in New York with her boyfriend Dale and tour with their band. She has no idea what is the right decision and now that decision is delayed. I mean, she made it back in early 1983 but she hasn't experienced that year for herself yet. She sometimes writes notes to herself on New Year's Eve so the following morning, whichever Oona is inhabiting her body will have some guidance for that year or clues about who she is with at the time. It can get very complicated. I cannot understand time travel and there were times I was figuratively scratching my head but I think it all makes sense.
Living life with no continuity means that it's extremely difficult to maintain friendships and relationships. Her mother Madeleine is a constant, and she and Kenzie are the only two people who know the truth about what happens with Oona. It can be a lonely existance in many ways. But it's also a great lesson in living in the moment and not worrying too much about the consequences of your decisions or what is going to come next. Oona really needs to roll with it. There are some perks. If a person dies, she'll probably still see them again. And youth isn't wasted on her because she has been much older and knows to appreciate being young. It was fascinating to experience this and learn these lessons along with Oona.
If anything, I wanted more. This isn't a long book so we can only get so many years. It jumped around, obviously, but there were some years that were near other years we read about, which filled in the blanks on some of the storylines and kept the whole thing feeling more like a story rather than a series of vignettes. It was a pretty quick, light read even though it tackled some serious themes. It was a whole lot of fun and very satisfying!
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Wednesday, March 4, 2020
The People in the Trees
The People in the Trees by Hanya Yanagihara (2013)
Norton Perina graduated from medical school and didn't know what to do with himself, so he accepted an offer to accompany an anthropologist on an expedition to a small island in Micronesia. There they hoped to find a tribe that had been rumored about but never studied. They found the tribe, as well as some others who lived apart from them in the forest and appeared to be in a state of mental deterioration. Perina's discovery about the secrets of these long-lived people launch his career and even win him a Nobel prize. However, the book begins with Norton having been arrested for sexual abuse, and most of the book is his story he has written from prison, introduced and edited by his good friend Ronald Kubodera.
It sounds like it would be very interesting, but in fact I found most of it quite tedious. It was initially kind of interesting, a young Perina traveling to such a remote place and learning about a new culture, and detailed descriptions of the jungle and the people and their rituals. A lot of the book was this initial trip, which was significant, but eventually it got kind boring, and there's a lot more story that was rather glossed over later. He made many other trips to this and other locations; he adopted dozens of children; presumably other things happened in his life, but we only ever hear about his work, and after that initial visit several decades were basically summed up in a blur. It honestly felt rather pointless.
Of course what the reader wants to know is about the alleged sexual abuse of these children, which doesn't get addressed at all until the very end. Late in the story, which was full of footnotes with explanations by Kubodera, a footnote says that he decided as editor to remove the next passage. Ok. But then he presents that missing passage at the very end, and it is the part of Perina's story that addresses the abuse. I don't know what Yanagihara thought would be gained by leaving it out and then including it just a few pages later, but whatever it was I don't think it worked. Also, I don't understand why both Perina and Kubodera insist on Perina's innocence.
But it's hard to know what Perina thought or felt about anything. He tells his story in such a logical way, and it is clear that he doesn't have a normal range of human emotions, nor does he seem to have any sort of moral or ethical beliefs. This might be a good spot to mention the many instances of animal cruelty described in the book, which I found very unpleasant and which Perina is completely unbothered by. He is a scientist through and through and only wants knowledge and data and clearly does not care who is hurt in order to get it. He also talks about the people he studies as "backwards" and describes them in ways that are unfeeling at best, often mentioning how ugly people are. I often like an unpleasant characters, but his schtick wore pretty thin. Possibly because I am tired of old white men who feel entitled to do whatever they want to anyone they want and he is just one more of these. We have enough of those in real life, I don't need more of them (and from a female author, no less.)
I read Yanagihara's other book, A Little Life, and loved it. Loved it. I knew this was going to be a very different book, and did not go into it expecting it to be anything like her second book. But I did hope it would be good, and populated with compelling characters, and in that I was disappointed. About halfway through I actually considered putting it down, but decided to continue, and I kind of wish I hadn't. The story has a great premise but the execution really fell flat.
Norton Perina graduated from medical school and didn't know what to do with himself, so he accepted an offer to accompany an anthropologist on an expedition to a small island in Micronesia. There they hoped to find a tribe that had been rumored about but never studied. They found the tribe, as well as some others who lived apart from them in the forest and appeared to be in a state of mental deterioration. Perina's discovery about the secrets of these long-lived people launch his career and even win him a Nobel prize. However, the book begins with Norton having been arrested for sexual abuse, and most of the book is his story he has written from prison, introduced and edited by his good friend Ronald Kubodera.
It sounds like it would be very interesting, but in fact I found most of it quite tedious. It was initially kind of interesting, a young Perina traveling to such a remote place and learning about a new culture, and detailed descriptions of the jungle and the people and their rituals. A lot of the book was this initial trip, which was significant, but eventually it got kind boring, and there's a lot more story that was rather glossed over later. He made many other trips to this and other locations; he adopted dozens of children; presumably other things happened in his life, but we only ever hear about his work, and after that initial visit several decades were basically summed up in a blur. It honestly felt rather pointless.
Of course what the reader wants to know is about the alleged sexual abuse of these children, which doesn't get addressed at all until the very end. Late in the story, which was full of footnotes with explanations by Kubodera, a footnote says that he decided as editor to remove the next passage. Ok. But then he presents that missing passage at the very end, and it is the part of Perina's story that addresses the abuse. I don't know what Yanagihara thought would be gained by leaving it out and then including it just a few pages later, but whatever it was I don't think it worked. Also, I don't understand why both Perina and Kubodera insist on Perina's innocence.
But it's hard to know what Perina thought or felt about anything. He tells his story in such a logical way, and it is clear that he doesn't have a normal range of human emotions, nor does he seem to have any sort of moral or ethical beliefs. This might be a good spot to mention the many instances of animal cruelty described in the book, which I found very unpleasant and which Perina is completely unbothered by. He is a scientist through and through and only wants knowledge and data and clearly does not care who is hurt in order to get it. He also talks about the people he studies as "backwards" and describes them in ways that are unfeeling at best, often mentioning how ugly people are. I often like an unpleasant characters, but his schtick wore pretty thin. Possibly because I am tired of old white men who feel entitled to do whatever they want to anyone they want and he is just one more of these. We have enough of those in real life, I don't need more of them (and from a female author, no less.)
I read Yanagihara's other book, A Little Life, and loved it. Loved it. I knew this was going to be a very different book, and did not go into it expecting it to be anything like her second book. But I did hope it would be good, and populated with compelling characters, and in that I was disappointed. About halfway through I actually considered putting it down, but decided to continue, and I kind of wish I hadn't. The story has a great premise but the execution really fell flat.
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Saturday, February 29, 2020
The Trespassers
The Trespassers by Meg Mundell (2019)
After extensive screening, a lucky group of passengers have been able to board a ship and leave an illness-ravaged UK for Australia. There they hope to start a new life with good jobs, but none are sure what really awaits them. Out at sea, a young passenger named Cleary stumbles upon the victim of a murder, and that's just the beginning of their troubles.
This story is told through three narrators. The first is Cleary, who has been deaf for three years since he was sick and who is traveling with his single mom. Billie is a former nurse, who worked in the death wards and is hesitant to talk about the circumstances of her departure from her job. Finally, Tom was hired as a teacher for the kids who are among the passengers, and has begun an affair with a crewman. Each of these characters brought a different perspective to this tale of migrants with an uncertain future.
During the time I was reading this book, I found my mind often wandering to this ship and its passengers. It was just one of those books that holds you in its grasp every moment until you've finished. Almost the entire book takes place on the ship, the passengers crammed into shared quarters, falling ill one by one even though they were so thoroughly screened before being allowed to board. The ship is not equipped to deal with the outbreak, and how the illness got on board is a mystery. There is a lot of fear in this story, and some struggles regarding authority and power, and uncertainty - so much uncertainty.
We don't really know much about the illness that has ravaged the UK or, as it refer to it in the novel, the former UK. This is set in the not-too-distant future, and reading it during the coronavirus panic and accompanying stories about quarantined ships made it feel less like speculative fiction and more like a prediction.
A friend brought this back from Australia for me as a gift because it's not available in the U.S. but I do hope it is eventually so that you all can read it. I certainly won't forget this story or stop thinking about the characters anytime soon.
After extensive screening, a lucky group of passengers have been able to board a ship and leave an illness-ravaged UK for Australia. There they hope to start a new life with good jobs, but none are sure what really awaits them. Out at sea, a young passenger named Cleary stumbles upon the victim of a murder, and that's just the beginning of their troubles.
This story is told through three narrators. The first is Cleary, who has been deaf for three years since he was sick and who is traveling with his single mom. Billie is a former nurse, who worked in the death wards and is hesitant to talk about the circumstances of her departure from her job. Finally, Tom was hired as a teacher for the kids who are among the passengers, and has begun an affair with a crewman. Each of these characters brought a different perspective to this tale of migrants with an uncertain future.
During the time I was reading this book, I found my mind often wandering to this ship and its passengers. It was just one of those books that holds you in its grasp every moment until you've finished. Almost the entire book takes place on the ship, the passengers crammed into shared quarters, falling ill one by one even though they were so thoroughly screened before being allowed to board. The ship is not equipped to deal with the outbreak, and how the illness got on board is a mystery. There is a lot of fear in this story, and some struggles regarding authority and power, and uncertainty - so much uncertainty.
We don't really know much about the illness that has ravaged the UK or, as it refer to it in the novel, the former UK. This is set in the not-too-distant future, and reading it during the coronavirus panic and accompanying stories about quarantined ships made it feel less like speculative fiction and more like a prediction.
A friend brought this back from Australia for me as a gift because it's not available in the U.S. but I do hope it is eventually so that you all can read it. I certainly won't forget this story or stop thinking about the characters anytime soon.
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Wednesday, February 26, 2020
Monday's Not Coming
Monday's Not Coming by Tiffany D. Jackson (2018), narrated by Imani Parks
Claudia hasn't heard from her friend Monday all summer. Usually they write to each other while Claudia is at her grandmother's house and Monday is back home, but this year Claudia's letters went unanswered. On the first day of school, Claudia looks everywhere for Monday, but she is not to be found. Day after day is the same. Claudia tells her teachers, her parents, anyone who will listen that Monday must be in trouble but nobody seems very concerned.
The timeline moves around from The Before to The After and even back to One Year Before and Two Years Before. Events in The Before and The After are remarkably similar, Claudia still looking for Monday and wanting to know what happened to her, but you know that something has happened in between. There were lots of hints along the way, and I assumed it would end up being totally different than what we were led to believe.
I was kind of disappointed when the mystery was solved, because it was pretty much what I assumed had happened. However, I also realize I am not the audience for this teen book and have probably read considerably more psychological fiction and thrillers than the average teenager. One of the things that bugged me throughout the book was how Claudia didn't pick up on certain things that people said, and that ended up being explained. Other things weren't though. Like, why does a kid in junior high still play with dolls and coloring books? Why did Monday lie to her about seemingly mundane things like her swimming lessons? There was also a lot of homophobia - someone at school started a rumor that Claudia and Monday were more than friends and there was a whole lot of defending themselves against accusations of being lesbians, and very little acknowledgement that there's nothing wrong with being a lesbian. One teacher, who had recently married another woman, addressed this VERY briefly, but it wasn't nearly enough and didn't seem to get through Claudia's head.
Although the idea of this book was pretty good, I ended up thinking it was only ok. However, I also listened to the audiobook pretty compulsively as I was dying to find out what was going on. So I've got to give it credit for being a page-turner, or whatever the audiobook equivalent is.
Claudia hasn't heard from her friend Monday all summer. Usually they write to each other while Claudia is at her grandmother's house and Monday is back home, but this year Claudia's letters went unanswered. On the first day of school, Claudia looks everywhere for Monday, but she is not to be found. Day after day is the same. Claudia tells her teachers, her parents, anyone who will listen that Monday must be in trouble but nobody seems very concerned.
The timeline moves around from The Before to The After and even back to One Year Before and Two Years Before. Events in The Before and The After are remarkably similar, Claudia still looking for Monday and wanting to know what happened to her, but you know that something has happened in between. There were lots of hints along the way, and I assumed it would end up being totally different than what we were led to believe.
I was kind of disappointed when the mystery was solved, because it was pretty much what I assumed had happened. However, I also realize I am not the audience for this teen book and have probably read considerably more psychological fiction and thrillers than the average teenager. One of the things that bugged me throughout the book was how Claudia didn't pick up on certain things that people said, and that ended up being explained. Other things weren't though. Like, why does a kid in junior high still play with dolls and coloring books? Why did Monday lie to her about seemingly mundane things like her swimming lessons? There was also a lot of homophobia - someone at school started a rumor that Claudia and Monday were more than friends and there was a whole lot of defending themselves against accusations of being lesbians, and very little acknowledgement that there's nothing wrong with being a lesbian. One teacher, who had recently married another woman, addressed this VERY briefly, but it wasn't nearly enough and didn't seem to get through Claudia's head.
Although the idea of this book was pretty good, I ended up thinking it was only ok. However, I also listened to the audiobook pretty compulsively as I was dying to find out what was going on. So I've got to give it credit for being a page-turner, or whatever the audiobook equivalent is.
Saturday, February 22, 2020
The Lady's Guide to Celestial Mechanics
The Lady's Guide to Celestial Mechanics (Feminine Pursuits #1) by Olivia Waite
Our story begins with a wedding; Lucy Muchelney's lover for the past five years is getting married. Lucy is heartbroken that Priscilla has left her for a man who she doesn't care about, but she returns home to find a letter from the Countess of Moth that is sure to provide a welcome distraction. The Countess is looking for a translator for a French astronomy book; she would have employed Lucy's father, but now that he is dead she wonders if Lucy has a suggestion of another person who is well-versed in both science and French, who could undertake the translation. She does. But rather than try to convince the Countess by letter that she can do the work herself, Lucy decides she'd make more an impression if she presents herself in person. As it turns out, she does make a strong impression on the Countess, and soon Lucy has quite decidedly moved on from her heartbreak.
Catherine, the Countess of Moth, is a widow who isn't at all upset that her husband is dead. He was a bad-tempered, controlling man. He read her mail, so she wrote letters to her aunt in which she used illustrations of flowers to say what she didn't dare say in words. Speaking of flowers, she's a very talented embroiderer who perhaps would have been a botanist had she been a man. She doesn't take her gorgeous designs seriously until Lucy points out that what she does is art. After a time, Catherine begins thinking of her own potential, wondering if she is too old to start something new, and deciding to forge ahead regardless.
Much of the plot of this book surrounds this scientific translation and the politics surrounding the organization supporting it. It's a very exclusive organization that doesn't allow women, or believe that women can grasp science. The romance isn't fraught with angst, just a little doubt about their level of commitment since they can't get married, and of course there was a certain amount of secrecy required. But to be honest it was nice to see a relationship not steeped in drama. There was enough else going on the book that I didn't feel like I was missing anything, yet the romance remained the central focus.
I like that this book acknowledges things about the world that many people don't realize, like that there were times in history that gay people maybe weren't super ostracized, and that black people existed in history other than in American slavery. There's an older character in the story who reveals her love affair with a woman in her past, and she points out to Lucy and Catherine that society wasn't always so restrictive about same-sex relationships as is in their time. There were also a couple of black characters who were part of the scientific community. For some reason many historicals are very white and, of course, heterosexual and it has led to the idea that that's all there was. That's just not the case, and I like how this book acknowledges that without making a big deal out of it.
I found this story quite enjoyable, both the plot about Lucy's work and the related plot about her relationship with Catherine, and I liked how both characters grew and changed over the course of the story. I'd definitely check out this author again, and I'm happy to see that this is the first in a series.
Our story begins with a wedding; Lucy Muchelney's lover for the past five years is getting married. Lucy is heartbroken that Priscilla has left her for a man who she doesn't care about, but she returns home to find a letter from the Countess of Moth that is sure to provide a welcome distraction. The Countess is looking for a translator for a French astronomy book; she would have employed Lucy's father, but now that he is dead she wonders if Lucy has a suggestion of another person who is well-versed in both science and French, who could undertake the translation. She does. But rather than try to convince the Countess by letter that she can do the work herself, Lucy decides she'd make more an impression if she presents herself in person. As it turns out, she does make a strong impression on the Countess, and soon Lucy has quite decidedly moved on from her heartbreak.
Catherine, the Countess of Moth, is a widow who isn't at all upset that her husband is dead. He was a bad-tempered, controlling man. He read her mail, so she wrote letters to her aunt in which she used illustrations of flowers to say what she didn't dare say in words. Speaking of flowers, she's a very talented embroiderer who perhaps would have been a botanist had she been a man. She doesn't take her gorgeous designs seriously until Lucy points out that what she does is art. After a time, Catherine begins thinking of her own potential, wondering if she is too old to start something new, and deciding to forge ahead regardless.
Much of the plot of this book surrounds this scientific translation and the politics surrounding the organization supporting it. It's a very exclusive organization that doesn't allow women, or believe that women can grasp science. The romance isn't fraught with angst, just a little doubt about their level of commitment since they can't get married, and of course there was a certain amount of secrecy required. But to be honest it was nice to see a relationship not steeped in drama. There was enough else going on the book that I didn't feel like I was missing anything, yet the romance remained the central focus.
I like that this book acknowledges things about the world that many people don't realize, like that there were times in history that gay people maybe weren't super ostracized, and that black people existed in history other than in American slavery. There's an older character in the story who reveals her love affair with a woman in her past, and she points out to Lucy and Catherine that society wasn't always so restrictive about same-sex relationships as is in their time. There were also a couple of black characters who were part of the scientific community. For some reason many historicals are very white and, of course, heterosexual and it has led to the idea that that's all there was. That's just not the case, and I like how this book acknowledges that without making a big deal out of it.
I found this story quite enjoyable, both the plot about Lucy's work and the related plot about her relationship with Catherine, and I liked how both characters grew and changed over the course of the story. I'd definitely check out this author again, and I'm happy to see that this is the first in a series.
Wednesday, February 19, 2020
The Dutch House
The Dutch House by Ann Patchett (2019)
I don't think I ever bothered to read the description of this book, because I had the idea that it was a historical novel that took place in the Netherlands and had something to do with art, maybe. That is not at all what it is about. The only Dutch thing in this book is the house, which used to be owned by the Van Hoebeek family. They're all dead now; the house was bought by Cyril Conroy for his wife, who ended up hating it. But the story is about their kids, Maeve and Danny, and their longstanding obsession with the house.
When they're very young, their mother leaves and doesn't come back. Their father marries a horrid woman named Andrea who brings two little (not horrid) girls of her own to the house. Several years later, events result in the banishment of Maeve and Danny from the house. They're on their own with nobody except each other to rely on.
The story is mostly about Danny and Maeve's relationship. They are very close, enough that when Danny eventually has a serious girlfriend, she and Maeve resent each other. I didn't like Cecilia either; it was hard to, given that her role was primarily supporting Danny, begging him to marry her, and being jealous of his sister. And his sister always came first in his life.
Years after leaving the Dutch House, Danny and Maeve still go back and park on the nearby street to watch the house. They talk a lot about the house and their lives growing up. They can't let it go. They have unfinished business though - their mother could still be alive out there somewhere and although Danny was too young to really remember her, Maeve has always longed to have her mother back.
The story follows the two from when they are kids to middle age, so it spans decades. It's hard to describe what is so compelling about this story, but it is. It's told from Danny's viewpoint and I really enjoyed reading it from his perspective. He and Maeve were both great characters to immerse oneself in, and even though their lives weren't super eventful or exciting, the story is told so well, as is often the case with Ann Patchett. I liked it more than her last book, Commonwealth, which had too many characters and jumped around a bit too much for me. She writes so well about family and relationships though; her books are always a pleasure.
I don't think I ever bothered to read the description of this book, because I had the idea that it was a historical novel that took place in the Netherlands and had something to do with art, maybe. That is not at all what it is about. The only Dutch thing in this book is the house, which used to be owned by the Van Hoebeek family. They're all dead now; the house was bought by Cyril Conroy for his wife, who ended up hating it. But the story is about their kids, Maeve and Danny, and their longstanding obsession with the house.
When they're very young, their mother leaves and doesn't come back. Their father marries a horrid woman named Andrea who brings two little (not horrid) girls of her own to the house. Several years later, events result in the banishment of Maeve and Danny from the house. They're on their own with nobody except each other to rely on.
The story is mostly about Danny and Maeve's relationship. They are very close, enough that when Danny eventually has a serious girlfriend, she and Maeve resent each other. I didn't like Cecilia either; it was hard to, given that her role was primarily supporting Danny, begging him to marry her, and being jealous of his sister. And his sister always came first in his life.
Years after leaving the Dutch House, Danny and Maeve still go back and park on the nearby street to watch the house. They talk a lot about the house and their lives growing up. They can't let it go. They have unfinished business though - their mother could still be alive out there somewhere and although Danny was too young to really remember her, Maeve has always longed to have her mother back.
The story follows the two from when they are kids to middle age, so it spans decades. It's hard to describe what is so compelling about this story, but it is. It's told from Danny's viewpoint and I really enjoyed reading it from his perspective. He and Maeve were both great characters to immerse oneself in, and even though their lives weren't super eventful or exciting, the story is told so well, as is often the case with Ann Patchett. I liked it more than her last book, Commonwealth, which had too many characters and jumped around a bit too much for me. She writes so well about family and relationships though; her books are always a pleasure.
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Sunday, February 16, 2020
Her Body and Other Parties
Her Body and Other Parties by Carmen Maria Machado (2017)
I am on a short story kick the past couple of months. I'm also trying to go back and read the books that have been languishing on my To Read list the longest, which is what made me pick this one up now. Several of my coworkers have read it and raved about it, but somehow I kept putting it off.
There are a total of eight stories in this book, and I'm sorry to admit that I read only seven and a half of them. One is a tediously long list of summaries of (fake?) Law and Order episodes, and it was amusing at first but I've never watched the show so probably am missing a lot of the point and also it went on for far too long. Finally I couldn't stand to read any more so after 35 pages I decided to skip the second half of the story.
Otherwise, the stories were great! They were weird and creepy and I often couldn't tell if something was actually happening or if the person was delusional in some way, but I liked that. Many of them are difficult to describe adequately.
"The Husband Stitch" is the story of a relationship and marriage, and the wife's refusal to explain to her husband why she always wears a green ribbon around her neck. In "Inventory" a woman recounts all her sexual encounters, and after the first few it grew decidedly dark as they all happened against the backdrop of an apocalyptic descent. The main character in "Mothers" has just been handed a baby by her female lover and now has to take care of it...but I'm not sure there is actually a baby. "The Resident" is about a writer attending a residency near where she attended Girl Scout Camp as a kid, and her experiences and the other people there are strange in a way that is hard to describe. It's probably my favorite in the collection, though it's hard to say what it's even about.
Machado's writing is a pleasure to read, and even the story I ultimately didn't like was actually written well, it was just far, far too long. They all have an otherworldly quality to them, yet are still full of sharp, palpable imagery. I'm sorry it took me so long to pick this book up.
I am on a short story kick the past couple of months. I'm also trying to go back and read the books that have been languishing on my To Read list the longest, which is what made me pick this one up now. Several of my coworkers have read it and raved about it, but somehow I kept putting it off.
There are a total of eight stories in this book, and I'm sorry to admit that I read only seven and a half of them. One is a tediously long list of summaries of (fake?) Law and Order episodes, and it was amusing at first but I've never watched the show so probably am missing a lot of the point and also it went on for far too long. Finally I couldn't stand to read any more so after 35 pages I decided to skip the second half of the story.
Otherwise, the stories were great! They were weird and creepy and I often couldn't tell if something was actually happening or if the person was delusional in some way, but I liked that. Many of them are difficult to describe adequately.
"The Husband Stitch" is the story of a relationship and marriage, and the wife's refusal to explain to her husband why she always wears a green ribbon around her neck. In "Inventory" a woman recounts all her sexual encounters, and after the first few it grew decidedly dark as they all happened against the backdrop of an apocalyptic descent. The main character in "Mothers" has just been handed a baby by her female lover and now has to take care of it...but I'm not sure there is actually a baby. "The Resident" is about a writer attending a residency near where she attended Girl Scout Camp as a kid, and her experiences and the other people there are strange in a way that is hard to describe. It's probably my favorite in the collection, though it's hard to say what it's even about.
Machado's writing is a pleasure to read, and even the story I ultimately didn't like was actually written well, it was just far, far too long. They all have an otherworldly quality to them, yet are still full of sharp, palpable imagery. I'm sorry it took me so long to pick this book up.
Friday, February 14, 2020
Yes No Maybe So
Yes No Maybe So by Becky Albertalli and Aisha Saeed (2020), narrated by Tiya Sircar and Michael Crouch
Jamie Goldberg's family is very involved in the campaign for their local Senate candidate and Jamie has been happy to volunteer behind the scenes. It's a busy time - in addition to this election, Jamie's sister's bat mitzvah is coming up so there are lots of plans afood for that. Meanwhile, Maya Rehman is having a terrible Ramadan, as her parents have decided to separate and their family trip to Italy has been cancelled. Their lives are getting very complicated and she's having severe transportation issues; but then her parents agree to consider buying her a car, but only if she works on this local Senate campaign. Jamie and Maya end up going door-to-door together, becoming very invested in the political campaign they're working on, and in their new friendship.
There was so much to like about this book! For one thing, the way these teenagers, who weren't old enough to vote, were nonetheless civically engaged. As they learned more about what was at stake in the election, they both approached their canvassing with a new fervor. They learned about a piece of legislation that could prevent Muslim women from wearing hijab while doing everyday activities such as driving, which would adversely affect Maya's mom. Their candidate winning could make all the difference to this legislation. While knocking on doors they had some strange experiences, including meeting a nasty Islamophobic guy.
Speaking of which, I really liked how important a role each of their religions played in the story. For Maya, the story began during Ramadan while she was fasting, which resulted in a couple of awkward exchanges with Jamie when he kept trying to give her food. Also, her family's religion played a big part in how they thought about dating in high school, which came up as she and Jamie realized they were attracted to each other. For Jamie, the story is working up to his sister's bat mitzvah, and also he was subject to an anti-Semitic attack in the form of a sticker put on his car.
I loved the way that Maya and Jamie's relationship developed throughout the book. Maya's best friend was distracted that summer and so Maya turned to Jamie when she needed to talk about her parents' separation. Jamie had a huge crush on Maya from the start but kind of assumed she wouldn't be interested in him. He was so delightfully awkward, and I loved seeing him grow more confident and find his voice. He had dreams of running for office, but worried about the public speaking part, especially since he was filled with such dread about giving the speech at his sister's bat mitzvah.
Becky Albertalli cannot write fast enough for me. I preordered this audiobook and listened to it as soon as I got it, so I have to wait who knows how long for another book. And I really enjoyed Aisha Saeed's book Written in the Stars so I was pleased to see her as co-author. By the way, this book is great on audio, as all of Albertalli's tend to be. Michael Crouch also narrated Simon vs. the Homo Sapiens Agenda so I already knew he was an excellent narrator; Tiya Sircar was new to me but also did a great job. This book would be enjoyable anytime, but it is extra relevant during an election year.
Jamie Goldberg's family is very involved in the campaign for their local Senate candidate and Jamie has been happy to volunteer behind the scenes. It's a busy time - in addition to this election, Jamie's sister's bat mitzvah is coming up so there are lots of plans afood for that. Meanwhile, Maya Rehman is having a terrible Ramadan, as her parents have decided to separate and their family trip to Italy has been cancelled. Their lives are getting very complicated and she's having severe transportation issues; but then her parents agree to consider buying her a car, but only if she works on this local Senate campaign. Jamie and Maya end up going door-to-door together, becoming very invested in the political campaign they're working on, and in their new friendship.
There was so much to like about this book! For one thing, the way these teenagers, who weren't old enough to vote, were nonetheless civically engaged. As they learned more about what was at stake in the election, they both approached their canvassing with a new fervor. They learned about a piece of legislation that could prevent Muslim women from wearing hijab while doing everyday activities such as driving, which would adversely affect Maya's mom. Their candidate winning could make all the difference to this legislation. While knocking on doors they had some strange experiences, including meeting a nasty Islamophobic guy.
Speaking of which, I really liked how important a role each of their religions played in the story. For Maya, the story began during Ramadan while she was fasting, which resulted in a couple of awkward exchanges with Jamie when he kept trying to give her food. Also, her family's religion played a big part in how they thought about dating in high school, which came up as she and Jamie realized they were attracted to each other. For Jamie, the story is working up to his sister's bat mitzvah, and also he was subject to an anti-Semitic attack in the form of a sticker put on his car.
I loved the way that Maya and Jamie's relationship developed throughout the book. Maya's best friend was distracted that summer and so Maya turned to Jamie when she needed to talk about her parents' separation. Jamie had a huge crush on Maya from the start but kind of assumed she wouldn't be interested in him. He was so delightfully awkward, and I loved seeing him grow more confident and find his voice. He had dreams of running for office, but worried about the public speaking part, especially since he was filled with such dread about giving the speech at his sister's bat mitzvah.
Becky Albertalli cannot write fast enough for me. I preordered this audiobook and listened to it as soon as I got it, so I have to wait who knows how long for another book. And I really enjoyed Aisha Saeed's book Written in the Stars so I was pleased to see her as co-author. By the way, this book is great on audio, as all of Albertalli's tend to be. Michael Crouch also narrated Simon vs. the Homo Sapiens Agenda so I already knew he was an excellent narrator; Tiya Sircar was new to me but also did a great job. This book would be enjoyable anytime, but it is extra relevant during an election year.
Wednesday, February 12, 2020
The Governess Game
The Governess Game (Girls Meets Duke #2) by Tessa Dare (2018)
Alexandra Mountbatten has been on her own for quite a while since her sea captain father died, and she now makes her living setting clocks. But when she loses the instruments of her trade, desperation drives her to take a job as a governess for Chase Reynaud and his two orphan charges. Many a governess has passed through their house and Chase is ready to send the kids off to boarding school far, far away. He can't be bothered to deal with them himself; he's too busy seducing every female in the greater London area. That is, until he can't take his eyes off Alexandra.
Alexandra was a great heroine, with her interest interest in science, especially comets, and her friendship with other smart, single women. Before moving into Chase's house to take care of the two little monster girls, she lived with two of her best friends, who were both fairly eccentric single women. I also like that when Chase finally decides he's in love with her and asks her to marry him, she's like "Meh, it seems like staying single might be better?"
Chase is her employer, which I find a bit distressing (as do her friends.) The power unbalance, especially when so much is riding on her employment, is something we'd never tolerate in a contemporary novel. Chase is also a rogue, a character type I don't especially like. This is one of those situations with a sexually experienced man and a virgin heroine and I'm kind of sick of that whole setup. But despite that, I did really like both of them.
I'm also not a big fan of plot moppets, but although the little girls were just a way to help get Chase and Alex together, I thought Tessa Dare did a good job of making their story, and their relationships with both Chase and Alex, interesting. Alex knew what it was like to be unwanted, to be sent off to school, and to not know what the future brings. She was able to relate to these girls because she knew where they were coming from. She also abandoned thoughts of making them into proper young ladies and started teaching them piracy instead, channeling their natural interests to trick them into learning. Chase insisted he didn't care for the girls but every morning when they announced that their doll Millicent was dead (yet again) from consumption or dropsy or whatever illness Daisy was currently fixated on, he was right there at the funeral.
All in all, I found it to be a pretty well-crafted romance. Maybe not a favorite, but it was exactly what I felt like reading at the time and it was definitely satisfying.
Alexandra Mountbatten has been on her own for quite a while since her sea captain father died, and she now makes her living setting clocks. But when she loses the instruments of her trade, desperation drives her to take a job as a governess for Chase Reynaud and his two orphan charges. Many a governess has passed through their house and Chase is ready to send the kids off to boarding school far, far away. He can't be bothered to deal with them himself; he's too busy seducing every female in the greater London area. That is, until he can't take his eyes off Alexandra.
Alexandra was a great heroine, with her interest interest in science, especially comets, and her friendship with other smart, single women. Before moving into Chase's house to take care of the two little monster girls, she lived with two of her best friends, who were both fairly eccentric single women. I also like that when Chase finally decides he's in love with her and asks her to marry him, she's like "Meh, it seems like staying single might be better?"
Chase is her employer, which I find a bit distressing (as do her friends.) The power unbalance, especially when so much is riding on her employment, is something we'd never tolerate in a contemporary novel. Chase is also a rogue, a character type I don't especially like. This is one of those situations with a sexually experienced man and a virgin heroine and I'm kind of sick of that whole setup. But despite that, I did really like both of them.
I'm also not a big fan of plot moppets, but although the little girls were just a way to help get Chase and Alex together, I thought Tessa Dare did a good job of making their story, and their relationships with both Chase and Alex, interesting. Alex knew what it was like to be unwanted, to be sent off to school, and to not know what the future brings. She was able to relate to these girls because she knew where they were coming from. She also abandoned thoughts of making them into proper young ladies and started teaching them piracy instead, channeling their natural interests to trick them into learning. Chase insisted he didn't care for the girls but every morning when they announced that their doll Millicent was dead (yet again) from consumption or dropsy or whatever illness Daisy was currently fixated on, he was right there at the funeral.
All in all, I found it to be a pretty well-crafted romance. Maybe not a favorite, but it was exactly what I felt like reading at the time and it was definitely satisfying.
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Monday, February 10, 2020
Olive, Again
Olive, Again by Elizabeth Strout (2019)
Olive Kitteridge is back in another set of connected stories that feels like a novel. We meet a slew of interesting characters as Olive finds love and marries for the second time, and the book takes us at least ten years beyond that. We see Olive get into her eighties and decline a bit, but she's not too old to make new friends and to maintain her straightforward, slightly abrasive personality.
It's been a while since I read the first book, but I think she stars in more stories in this one. There were still a few focused on other characters in which she only made a passing appearance, but she maintained a pretty strong presence. Somehow she felt more likable from the beginning of this book, but that may just be because I already got to know her and I know she's not the mean old lady some people find her to be. She doesn't have a great relationship with her son or his wife, so she hasn't even met her grandchildren at the start of the book. But they do end up having a family visit, a struggle that is eventually worth it.
I was pleased to see Olive begin a friendship with a man which turned into a marriage. We get so few stories of older people having relationships, and I like the reminder that romance doesn't have to stop past a certain age. I also enjoyed her new friendship with Isabelle (who we first met in the novel Amy and Isabelle.)
One of the things that so endears me to Olive is that despite coming across as aloof and even unkind, she speaks up on behalf of others. For instance, she had a rotating schedule of home health aides, and the first day that Betty arrived and Olive noticed that her truck had a bumper sticker promoting "that horrible orange-haired man" who is president, Olive told her immediately that they would not discuss politics. One day when Betty was relieved from her shift by a Somalian woman and was rude to her, Olive gave her a very firm talking-to about how she wouldn't have prejudice in her house.
It could have been depressing to see Olive get older, deal with health issues, and lose people she loved. But somehow it didn't. Perhaps because Olive herself didn't want sympathy; she knows that's just the direction life goes. I really enjoyed revisiting Olive and seeing that she isn't letting old age get her down.
Olive Kitteridge is back in another set of connected stories that feels like a novel. We meet a slew of interesting characters as Olive finds love and marries for the second time, and the book takes us at least ten years beyond that. We see Olive get into her eighties and decline a bit, but she's not too old to make new friends and to maintain her straightforward, slightly abrasive personality.
It's been a while since I read the first book, but I think she stars in more stories in this one. There were still a few focused on other characters in which she only made a passing appearance, but she maintained a pretty strong presence. Somehow she felt more likable from the beginning of this book, but that may just be because I already got to know her and I know she's not the mean old lady some people find her to be. She doesn't have a great relationship with her son or his wife, so she hasn't even met her grandchildren at the start of the book. But they do end up having a family visit, a struggle that is eventually worth it.
I was pleased to see Olive begin a friendship with a man which turned into a marriage. We get so few stories of older people having relationships, and I like the reminder that romance doesn't have to stop past a certain age. I also enjoyed her new friendship with Isabelle (who we first met in the novel Amy and Isabelle.)
One of the things that so endears me to Olive is that despite coming across as aloof and even unkind, she speaks up on behalf of others. For instance, she had a rotating schedule of home health aides, and the first day that Betty arrived and Olive noticed that her truck had a bumper sticker promoting "that horrible orange-haired man" who is president, Olive told her immediately that they would not discuss politics. One day when Betty was relieved from her shift by a Somalian woman and was rude to her, Olive gave her a very firm talking-to about how she wouldn't have prejudice in her house.
It could have been depressing to see Olive get older, deal with health issues, and lose people she loved. But somehow it didn't. Perhaps because Olive herself didn't want sympathy; she knows that's just the direction life goes. I really enjoyed revisiting Olive and seeing that she isn't letting old age get her down.
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Monday, February 3, 2020
The Seep
The Seep by Chana Porter (2020)
When the aliens come, it is in the form of an amorphous substance that makes people kind of high. It also can cure illness and transform things into other things. People don't really die anymore. For some reason there is also no longer money; everyone has a credit stick they use and they all have unlimited credit (which begs the question of why they need to go through the motion at all.) The Seep is so pervasive in society that the small sector who live without it are treated like some kind of a cult.
Trina isn't as into the Seep as some people are, but she also doesn't necessarily want to free herself from it entirely. She used to be an artist but is now a doctor and she sees how important the Seep is to medicine now. But her wife, Deeba, embraces it in a way Trina never will. Deeba decides she wants to be reborn as a baby and live a new life in Europe, a thing you can do now, and Trina is devastated by this. Most of the book is about how she handles this decision and how she lives once Deeba is gone (it primarily involves alcohol).
This whole book is 200 pages and it's a very quick 200 pages. I read half of it one evening after work and finished it on my lunch break the next day. (Normally I can't read more than 20-30 pages on my lunch break.) I'm always happy to read a nice short book but this one....part of me thinks it could have benefited from being fleshed out more, but the other part of me thinks that maybe I just don't like this author's writing. I liked the premise, love the cover, and I like that the main character is transgender but that it's not the point of the story and barely came up at all. The writing style was surreal, which I sometimes like, but a lot about this story and and the style in which it was told just wasn't for me. I couldn't really get into the characters, and I struggled with how little was really explained. We're supposed to just take everything at face value without understanding what the Seep is and how it has caused society to change in these particular ways.
This book had a very intriguing premise, but was ultimately disappointing. I didn't hate reading it, but it just didn't do a lot for me. And now that I've reread the Goodreads description I see that they recommend it for fans of Jeff VanderMeer and Carmen Maria Machado, two authors I'm planning to read very soon but now am suddenly less excited about. For me this book was just okay, but there are some positive reviews out there so you might feel differently.
When the aliens come, it is in the form of an amorphous substance that makes people kind of high. It also can cure illness and transform things into other things. People don't really die anymore. For some reason there is also no longer money; everyone has a credit stick they use and they all have unlimited credit (which begs the question of why they need to go through the motion at all.) The Seep is so pervasive in society that the small sector who live without it are treated like some kind of a cult.
Trina isn't as into the Seep as some people are, but she also doesn't necessarily want to free herself from it entirely. She used to be an artist but is now a doctor and she sees how important the Seep is to medicine now. But her wife, Deeba, embraces it in a way Trina never will. Deeba decides she wants to be reborn as a baby and live a new life in Europe, a thing you can do now, and Trina is devastated by this. Most of the book is about how she handles this decision and how she lives once Deeba is gone (it primarily involves alcohol).
This whole book is 200 pages and it's a very quick 200 pages. I read half of it one evening after work and finished it on my lunch break the next day. (Normally I can't read more than 20-30 pages on my lunch break.) I'm always happy to read a nice short book but this one....part of me thinks it could have benefited from being fleshed out more, but the other part of me thinks that maybe I just don't like this author's writing. I liked the premise, love the cover, and I like that the main character is transgender but that it's not the point of the story and barely came up at all. The writing style was surreal, which I sometimes like, but a lot about this story and and the style in which it was told just wasn't for me. I couldn't really get into the characters, and I struggled with how little was really explained. We're supposed to just take everything at face value without understanding what the Seep is and how it has caused society to change in these particular ways.
This book had a very intriguing premise, but was ultimately disappointing. I didn't hate reading it, but it just didn't do a lot for me. And now that I've reread the Goodreads description I see that they recommend it for fans of Jeff VanderMeer and Carmen Maria Machado, two authors I'm planning to read very soon but now am suddenly less excited about. For me this book was just okay, but there are some positive reviews out there so you might feel differently.
Sunday, January 19, 2020
This Is Not Your City
This Is Not Your City by Caitlin Horrocks (2011)
Ok, I know I told you that Vampires in the Lemon Grove was really good, but I think this short story collection is even better. It all started several years ago when a coworker told me how good the 2011 edition of The Best American Short Stories is. I read it and agreed (though I had no basis for comparison, not having read any other editions.) My favorite story in the collection was "The Sleep" by Caitlin Horrocks, who I had never heard of before. I told everyone about that story and I kept thinking about it. Recently - a full seven years after reading it the first time - I finally read it again. I still love it. So I looked for more by this author and found this book.
It starts strong with "Zolaria," an unusual telling of childhood friendship and imagination in which the narrator speaks in future tense of later events, her best friend Hanna's devastating illness and her own marriage. The second story - probably my favorite - is called "It Looks Like This." It's a school assignment written by a girl who had to drop out to take care of my mother who has rheumatoid arthritis and can no longer use her hands. The assignment may be enough to allow her to graduate and she tries to fill it with knowledge she remembers from class and related skills she uses in her life, such as the geometry required to sew quilts. She also talks about her friendship, if it is in fact a friendship, with a young Amish neighbor. I love the narrative voice, the honest and earnestness of this character, her inclusion of maps and photos, and the way she accepts that she'll be spending the next several decades devoted to taking care of her mother.
"Zero Conditional" is about a teacher who is cruel to her students, and it sneaks up on you because she seems so reasonable until then. Even more upsetting was "Steal Small," probably the most unpleasant story in the bunch because it's about a couple who procure dogs and make money off them, and you just know that whatever happens to the dog isn't good, and this is confirmed. I can't stand animal cruelty, but I have to admit the story was effective and well-written. Speaking of stories that are disturbing, in "Embodied" the protagonist claims to be on her 127th life and she starts recognizing people from previous lives and she has a baby who died and when you learn the whole story about that it is just shocking and bizarre.
The title story is about a woman who has married through a matchmaking service, leaving Russia with her teenage daughter to start a new life. They are in Finland now (also the setting for "Going to Estonia") and the daughter goes out with boyfriend and doesn't return. His family reports them as missing, and the woman needs her new husband to talk to the police for her since she doesn't speak Finnish. It's a tragic story, but not in the way you expect. The final story, "In the Gulf of Aden, Past the Cape of Guardafui" is also a sad family story, but in a different way. A couple is traveling and they meet other people and tell them about their kid, except they tell different stories each time. We don't know until late in the story why they are lying. In the meantime their cruise ship is hijacked by pirates. This couple really needs a break.
Many of the stories involve travel, which means the characters are out of their elements, lending a feeling of alienation. They are not as strange or bizarre as many short stories tend to be, focused instead on relationships and tragedy. I also feel like they are somehow not as literary as most short stories I've read and no, I can't really explain what I mean by that but it's definitely a compliment.
This is not an especially well-known collection of stories and in fact is only owned by a few libraries in my network. But I believe it deserves a wider audience, and I look forward to more stories by Horrocks.
Ok, I know I told you that Vampires in the Lemon Grove was really good, but I think this short story collection is even better. It all started several years ago when a coworker told me how good the 2011 edition of The Best American Short Stories is. I read it and agreed (though I had no basis for comparison, not having read any other editions.) My favorite story in the collection was "The Sleep" by Caitlin Horrocks, who I had never heard of before. I told everyone about that story and I kept thinking about it. Recently - a full seven years after reading it the first time - I finally read it again. I still love it. So I looked for more by this author and found this book.
It starts strong with "Zolaria," an unusual telling of childhood friendship and imagination in which the narrator speaks in future tense of later events, her best friend Hanna's devastating illness and her own marriage. The second story - probably my favorite - is called "It Looks Like This." It's a school assignment written by a girl who had to drop out to take care of my mother who has rheumatoid arthritis and can no longer use her hands. The assignment may be enough to allow her to graduate and she tries to fill it with knowledge she remembers from class and related skills she uses in her life, such as the geometry required to sew quilts. She also talks about her friendship, if it is in fact a friendship, with a young Amish neighbor. I love the narrative voice, the honest and earnestness of this character, her inclusion of maps and photos, and the way she accepts that she'll be spending the next several decades devoted to taking care of her mother.
"Zero Conditional" is about a teacher who is cruel to her students, and it sneaks up on you because she seems so reasonable until then. Even more upsetting was "Steal Small," probably the most unpleasant story in the bunch because it's about a couple who procure dogs and make money off them, and you just know that whatever happens to the dog isn't good, and this is confirmed. I can't stand animal cruelty, but I have to admit the story was effective and well-written. Speaking of stories that are disturbing, in "Embodied" the protagonist claims to be on her 127th life and she starts recognizing people from previous lives and she has a baby who died and when you learn the whole story about that it is just shocking and bizarre.
The title story is about a woman who has married through a matchmaking service, leaving Russia with her teenage daughter to start a new life. They are in Finland now (also the setting for "Going to Estonia") and the daughter goes out with boyfriend and doesn't return. His family reports them as missing, and the woman needs her new husband to talk to the police for her since she doesn't speak Finnish. It's a tragic story, but not in the way you expect. The final story, "In the Gulf of Aden, Past the Cape of Guardafui" is also a sad family story, but in a different way. A couple is traveling and they meet other people and tell them about their kid, except they tell different stories each time. We don't know until late in the story why they are lying. In the meantime their cruise ship is hijacked by pirates. This couple really needs a break.
Many of the stories involve travel, which means the characters are out of their elements, lending a feeling of alienation. They are not as strange or bizarre as many short stories tend to be, focused instead on relationships and tragedy. I also feel like they are somehow not as literary as most short stories I've read and no, I can't really explain what I mean by that but it's definitely a compliment.
This is not an especially well-known collection of stories and in fact is only owned by a few libraries in my network. But I believe it deserves a wider audience, and I look forward to more stories by Horrocks.
Labels:
books,
caitlin horrocks,
fiction,
reviews,
short stories,
this is not your city
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