Back in early 2009 I received a very pretty set of crocheted dish cloths from my friend, which I posted about here. Here they are again, in case you don't want to click through:
It's just about 6 years later and these guys have seen a lot of dishes. They're all starting to get holes in them so I know it's just a matter of time before I need to replace them.
I happen to have a decent amount of cotton yarn hanging about so I decided to knit a simple dishcloth, which I did a couple of months ago. Then I totally stalled before managing to do the crochet border. So a week or so ago I thought, you know what? It's about time I learned to actually crochet. None of this half-assed business of barely managing to do a shitty-looking border on a knitted thing, I'm going to learn to crochet an actual thing.
I finished the border and then made a single-crochet swatch for practice that happens to be the right size for a dish cloth. Here they are together:
Ok, so I inadvertently decreased a few rows into the yellow crocheted one, but I'm pretty sure it will still wash dishes adequately. My plan was to whip up a few so I'd have a whole bunch to show you. But strangely, just as knitted things won't knit themselves, it seems that crocheted things won't crochet themselves either. One of these days I'm hoping to find some simple-but-varied patterns and make some more.
Then I plan to get really good at it, maybe as good as my coworker who whips up all kinds of fun and fantastical things in no time at all and who, one of these days, I fully expect will crochet a working TARDIS on her lunch break. I suppose it's unlikely I will ever approach her talent, but I hope to at least be able to make an afghan or some amigurumi animals.
Sunday, December 14, 2014
Friday, December 12, 2014
Smoke Gets In Your Eyes
Smoke Gets In Your Eyes & Other Lessons from the Crematory by Caitlin Doughty (2014)
Caitlin Doughty was long fascinated by death, so it was no surprise when she took a job at a crematory in her 20s. Armed with a degree in medieval history, she found that the job market wasn't exactly flooded with opportunity. Given her lifelong interest in all aspects of mortality she was soon drawn to the funeral industry. While working for Westwind Cremation and Burial she not only learned a great deal about the industry, but she also further solidified her views on how our society and the funeral industry treat death. Since that time she has founded The Order of the Good Death and hosted a web series called "Ask the Mortician."
Let me just say at the outset that if you feel uncomfortable with frank, graphic descriptions of corpses of all ages and the things we put them through, this book is not for you. Several people in my family work in geriatric care, hospitals, or the funeral industry, so I'm used to hearing about all manner of disgusting things over Thanksgiving dinner. And I've always been a bit morbid, from my early obsessions with Sylvia Plath and Stephen King to my recent and long-awaited visit to the Mütter Museum in Philadelphia. Your mileage may vary.
For those of us who are interested in the macabre, this book is completely fascinating. It's not often you get insight into an industry as tightly-shrouded as this one, and I was very interested in hearing about all the daily aspects of Doughty's job. She doesn't just discuss her crematory work, however, but also delves into all aspects of the death industry and even brings in practices from history and other cultures to lend perspective to our own way of handling the dead and the dying. She raises issues ranging from the spiritual to the environmental, and her consideration of these topics made me think a lot about my own views on death.
Our separation from the harsh realities of death do us few favors when faced with destruction like Hurricane Katrina. The many bodies clearly visible in the aftermath seemed all the more horrific because we have no idea what death actually looks like. A lot goes into making a dead person look presentable, and in making sure we don't see them until they are ready to be viewed. Since most people die in hospitals these days we see few of the gory parts involved in death, as they are left to the responsibility of nurses and other hospital staff. Doughty describes how swiftly bodies are removed from the sight of onlookers after death, a far cry from the days in plague-era Europe when then were just piled everywhere. Not that I'm nostalgic for the smell and decomposition so commonly experienced in our past, but it is pretty strange that we seem to want transparency in every other arena but are happy keeping the details of death behind closed doors.
In fact, Doughty mentions some instances in which grieving families felt better knowing more details about what happened to the remains of their loved ones. In one case, a woman she met outside of work had lost her husband, and when Doughty explains what happens when a person is cremated, the woman said she felt a lot better knowing the details. If people feel better knowing more, then why is the funeral industry all about smoke and mirrors? I'm sure that are people who are happy to have it that way, but clearly that's not everybody.
Not since watching Six Feet Under have I had such an immersive education about death, but of course Smoke Gets In Your Eyes has the advantage of being non-fiction. I found it all completely fascinating and well-written, and further I appreciate that Doughty is unapologetic about her interests, which I'm sure some people find morbid and horrifying. But she embraces death in a way that is really healthy and even admirable. It's a little surprising how much she fit into just 241 pages because I feel like I learned a great deal, and I'm inspired to read more on the subject. Not only does Smoke Gets In Your Eyes feel like a much bigger book, it's also feels like an important book. If you're interested in facing mortality, you can't go wrong by picking up a copy.
Caitlin Doughty was long fascinated by death, so it was no surprise when she took a job at a crematory in her 20s. Armed with a degree in medieval history, she found that the job market wasn't exactly flooded with opportunity. Given her lifelong interest in all aspects of mortality she was soon drawn to the funeral industry. While working for Westwind Cremation and Burial she not only learned a great deal about the industry, but she also further solidified her views on how our society and the funeral industry treat death. Since that time she has founded The Order of the Good Death and hosted a web series called "Ask the Mortician."
Let me just say at the outset that if you feel uncomfortable with frank, graphic descriptions of corpses of all ages and the things we put them through, this book is not for you. Several people in my family work in geriatric care, hospitals, or the funeral industry, so I'm used to hearing about all manner of disgusting things over Thanksgiving dinner. And I've always been a bit morbid, from my early obsessions with Sylvia Plath and Stephen King to my recent and long-awaited visit to the Mütter Museum in Philadelphia. Your mileage may vary.
For those of us who are interested in the macabre, this book is completely fascinating. It's not often you get insight into an industry as tightly-shrouded as this one, and I was very interested in hearing about all the daily aspects of Doughty's job. She doesn't just discuss her crematory work, however, but also delves into all aspects of the death industry and even brings in practices from history and other cultures to lend perspective to our own way of handling the dead and the dying. She raises issues ranging from the spiritual to the environmental, and her consideration of these topics made me think a lot about my own views on death.
Our separation from the harsh realities of death do us few favors when faced with destruction like Hurricane Katrina. The many bodies clearly visible in the aftermath seemed all the more horrific because we have no idea what death actually looks like. A lot goes into making a dead person look presentable, and in making sure we don't see them until they are ready to be viewed. Since most people die in hospitals these days we see few of the gory parts involved in death, as they are left to the responsibility of nurses and other hospital staff. Doughty describes how swiftly bodies are removed from the sight of onlookers after death, a far cry from the days in plague-era Europe when then were just piled everywhere. Not that I'm nostalgic for the smell and decomposition so commonly experienced in our past, but it is pretty strange that we seem to want transparency in every other arena but are happy keeping the details of death behind closed doors.
In fact, Doughty mentions some instances in which grieving families felt better knowing more details about what happened to the remains of their loved ones. In one case, a woman she met outside of work had lost her husband, and when Doughty explains what happens when a person is cremated, the woman said she felt a lot better knowing the details. If people feel better knowing more, then why is the funeral industry all about smoke and mirrors? I'm sure that are people who are happy to have it that way, but clearly that's not everybody.
Not since watching Six Feet Under have I had such an immersive education about death, but of course Smoke Gets In Your Eyes has the advantage of being non-fiction. I found it all completely fascinating and well-written, and further I appreciate that Doughty is unapologetic about her interests, which I'm sure some people find morbid and horrifying. But she embraces death in a way that is really healthy and even admirable. It's a little surprising how much she fit into just 241 pages because I feel like I learned a great deal, and I'm inspired to read more on the subject. Not only does Smoke Gets In Your Eyes feel like a much bigger book, it's also feels like an important book. If you're interested in facing mortality, you can't go wrong by picking up a copy.
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Wednesday, December 10, 2014
Will Grayson, Will Grayson
Will Grayson, Will Grayson by John Green and David Levithan (2010)
I last read this novel in 2011, and it was the first book I read by either of these authors. I have since read all of John Green's books and although I've only read one other by David Levithan I do plan to read more. You can see my previous post for a summary and my initial thoughts.
Reading it this time, I remembered very little about the book, like the fact that even though there are two Will Graysons, the whole thing is much more about Tiny Cooper. I did remember how much I love Tiny Cooper. He feels all of the feelings, which kind of makes up for some of the other characters who have trouble expressing themselves or choose not to. He's also more sure of himself than anyone else, and is there for the newly-met Will Grayson when he most needs someone, and does a great job of making him feel better. (I will heretofore refer to that Will as lowercase Will and the other as capital Will.)
This time around, one aspect of the story that really stood out to me was lowercase Will's depression. When Tiny first comes over for a visit, he sees Will's prescription meds. When Will explains that they are for depression, Tiny mentions that he too sometimes feels depressed. Will is inwardly very annoyed because, of course, feeling depressed sometimes is not the same as clinical depression. He also dislikes when people say they have to take a "mental health day" when they have no idea what it's actually like to have a mental illness. How awesome if it could be alleviated just by taking one day off. While lowercase Will's depression isn't the focus of the book, it was a pretty large part of his character and I guess I just noticed it more this time around. I've read other books recently in which mental illness plays a role and I've sort of begun looking for it in YA books. I actually liked that his part of the story wasn't focused on dealing with his depression; that was something already established that was just going on in the background like it actually does in so many real lives.
Similarly, although two of the main characters are gay, this isn't a coming out story either. For lowercase Will, it's true that he comes out to a lot of people around him, but he already knew he was gay and was fine with it, it's just that for quite a while he didn't think it was anyone else's business. Tiny has been out and proud for a long time and although it's a big part of who he is as a person, the story isn't really about that.
Primarily, it's a story about friendship, and about the many ways that people are terrible friends to each other. Remember high school? The lies and betrayals and drama? They are all here. Everybody is the star of his or her own life in the most exaggerated way possible because everything is such a big deal and they are all rather self-centered. Tiny gets so wrapped up in his romances and his musical that he'll ignore capital Will's calls. And capital Will is so intent on shutting up and not caring that he is also not a great friend to Tiny. The worst is the toxic friendship between lowercase Will and Maura, but although she is terrible to him it's really out of a desperate need for his friendship. It's all wonderfully complex and entertaining.
I've wanted my Not-So-Young Adult book group to pick this book for ages and finally, finally they did. Thankfully, they all liked it too. It's maybe not the very best book for discussion, as it doesn't have the heavy-hitting and complicated issues that some of our book choices do and which can spur debate and extensive conversation, but I think sometimes it's ok to just pick a fun book. Anyhow, we did find a decent amount of things to talk about, and I loved it just as much as I did the first time, so it was a success all around.
I last read this novel in 2011, and it was the first book I read by either of these authors. I have since read all of John Green's books and although I've only read one other by David Levithan I do plan to read more. You can see my previous post for a summary and my initial thoughts.
Reading it this time, I remembered very little about the book, like the fact that even though there are two Will Graysons, the whole thing is much more about Tiny Cooper. I did remember how much I love Tiny Cooper. He feels all of the feelings, which kind of makes up for some of the other characters who have trouble expressing themselves or choose not to. He's also more sure of himself than anyone else, and is there for the newly-met Will Grayson when he most needs someone, and does a great job of making him feel better. (I will heretofore refer to that Will as lowercase Will and the other as capital Will.)
This time around, one aspect of the story that really stood out to me was lowercase Will's depression. When Tiny first comes over for a visit, he sees Will's prescription meds. When Will explains that they are for depression, Tiny mentions that he too sometimes feels depressed. Will is inwardly very annoyed because, of course, feeling depressed sometimes is not the same as clinical depression. He also dislikes when people say they have to take a "mental health day" when they have no idea what it's actually like to have a mental illness. How awesome if it could be alleviated just by taking one day off. While lowercase Will's depression isn't the focus of the book, it was a pretty large part of his character and I guess I just noticed it more this time around. I've read other books recently in which mental illness plays a role and I've sort of begun looking for it in YA books. I actually liked that his part of the story wasn't focused on dealing with his depression; that was something already established that was just going on in the background like it actually does in so many real lives.
Similarly, although two of the main characters are gay, this isn't a coming out story either. For lowercase Will, it's true that he comes out to a lot of people around him, but he already knew he was gay and was fine with it, it's just that for quite a while he didn't think it was anyone else's business. Tiny has been out and proud for a long time and although it's a big part of who he is as a person, the story isn't really about that.
Primarily, it's a story about friendship, and about the many ways that people are terrible friends to each other. Remember high school? The lies and betrayals and drama? They are all here. Everybody is the star of his or her own life in the most exaggerated way possible because everything is such a big deal and they are all rather self-centered. Tiny gets so wrapped up in his romances and his musical that he'll ignore capital Will's calls. And capital Will is so intent on shutting up and not caring that he is also not a great friend to Tiny. The worst is the toxic friendship between lowercase Will and Maura, but although she is terrible to him it's really out of a desperate need for his friendship. It's all wonderfully complex and entertaining.
I've wanted my Not-So-Young Adult book group to pick this book for ages and finally, finally they did. Thankfully, they all liked it too. It's maybe not the very best book for discussion, as it doesn't have the heavy-hitting and complicated issues that some of our book choices do and which can spur debate and extensive conversation, but I think sometimes it's ok to just pick a fun book. Anyhow, we did find a decent amount of things to talk about, and I loved it just as much as I did the first time, so it was a success all around.
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Tuesday, December 9, 2014
Top Ten New-To-Me Authors I read in 2014
Top Ten Tuesday is hosted by The Broke and the Bookish. This week's list is easy because I read a number of authors for the first time who I really liked a lot. Links go to my posts about their books.
1. Andrew Smith is easily number on my list. I read three of his books this year and really liked them all.
2. Holly Black. I loved The Coldest Girl in Coldtown and I should really probably read something else of hers. Any suggestions?
3. Hugh Howey. I really don't know if I'll read more in the Silo series, because can they possibly be nearly as good as Wool?
4. Cammie McGovern. I love finding new great YA authors!
5. Jessie Burton. The Miniaturist was her debut, and I will be keeping an eye out for more from her.
6. Kate Manning. My Notorious Life featured one of my very favorite protagonists of the year.
7. Caitlin Moran is funny and clever and brilliant.
8. Karen Joy Fowler managed to pack a pretty big story into a rather little book, which is something I always appreciate.
9. Dan Chaon wrote some really great short stories and I've heard positive reviews of his other books also.
10. Nick Lake wrote one of the most amazing and unusual YA books I read this year.
What about you? Did you discover any great new authors this year?
Thursday, December 4, 2014
Glory O'Brien's History of the Future
Glory O'Brien's History of the Future by A.S. King (2014)
When Glory was only 4 years old, her mother committed suicide by putting her head in an oven. Now Glory and her father microwave all their meals. Across the street is a commune run by a woman named Jasmine Blue Heffner, a friend of Glory's mother, and her daughter Ellie is Glory's best friend. She's actually Glory's only friend and Glory is honestly getting tired of her. Ellie is very self-centered and primarily uses Glory as transportation and as a purchaser of lice medication. Soon after the story opens Glory and Ellie drink a petrified bat, and it gives them the power to see everyone's past and future. Glory begins documenting the future she sees, hoping that it won't actually come true.
That is kind of a weird premise, right? A.S. King generally interjects some sort of weirdness into her books (kind of like Andrew Smith) and it always works (also like Andrew Smith). Many of King's books read light and funny even if they're about serious subjects, but this isn't one of them. This one is fairly dark and reminds me more of Everybody Sees the Ants than any of her others. But although it's not humorous, it's still clever.
What I love most about Glory is that she's so matter-of-fact and she doesn't kid herself, but she is also a very considerate person. She knows she doesn't want to be friends with Ellie anymore, but she will do things like give her a hug because she needs a hug. Her strong sense of self comes through especially well in her conversations with Ellie. At one point when Ellie doesn't want to appear emotional because boys don't like emotional girls, Glory asks "Anyway, who cares what guys like? They don't do stuff because of what we like, right?" That is exactly the attitude that I love, and Glory displays it throughout the novel.
Aside from Glory herself, there are some very cool elements to this story. First, though much of it is centered around her mother's suicide, it isn't an issue novel. Glory's feelings about her mother's death and fear for her own future feel genuine in their complexity. Like her mother, Glory is really into photography, and I really liked how she used photographic principles to relate to other areas in her life.
The future story told through Glory's visions is probably the coolest/scariest part of all. Without giving away too much, it is dystopic in a way that is similar to certain elements of The Handmaid's Tale, and has the same sort of scary believability. I actually kind of want it to be a real book. (Note to A.S. King: please write this.)
As I was reading, I thought this book was pretty dark, but ultimately it left me feeling hopeful for Glory and her future. A.S. King manages to make all her books very different from each other, but equally sophisticated and surprising and awesome. Another winner from one of my favorite young adult authors!
When Glory was only 4 years old, her mother committed suicide by putting her head in an oven. Now Glory and her father microwave all their meals. Across the street is a commune run by a woman named Jasmine Blue Heffner, a friend of Glory's mother, and her daughter Ellie is Glory's best friend. She's actually Glory's only friend and Glory is honestly getting tired of her. Ellie is very self-centered and primarily uses Glory as transportation and as a purchaser of lice medication. Soon after the story opens Glory and Ellie drink a petrified bat, and it gives them the power to see everyone's past and future. Glory begins documenting the future she sees, hoping that it won't actually come true.
That is kind of a weird premise, right? A.S. King generally interjects some sort of weirdness into her books (kind of like Andrew Smith) and it always works (also like Andrew Smith). Many of King's books read light and funny even if they're about serious subjects, but this isn't one of them. This one is fairly dark and reminds me more of Everybody Sees the Ants than any of her others. But although it's not humorous, it's still clever.
What I love most about Glory is that she's so matter-of-fact and she doesn't kid herself, but she is also a very considerate person. She knows she doesn't want to be friends with Ellie anymore, but she will do things like give her a hug because she needs a hug. Her strong sense of self comes through especially well in her conversations with Ellie. At one point when Ellie doesn't want to appear emotional because boys don't like emotional girls, Glory asks "Anyway, who cares what guys like? They don't do stuff because of what we like, right?" That is exactly the attitude that I love, and Glory displays it throughout the novel.
Aside from Glory herself, there are some very cool elements to this story. First, though much of it is centered around her mother's suicide, it isn't an issue novel. Glory's feelings about her mother's death and fear for her own future feel genuine in their complexity. Like her mother, Glory is really into photography, and I really liked how she used photographic principles to relate to other areas in her life.
The future story told through Glory's visions is probably the coolest/scariest part of all. Without giving away too much, it is dystopic in a way that is similar to certain elements of The Handmaid's Tale, and has the same sort of scary believability. I actually kind of want it to be a real book. (Note to A.S. King: please write this.)
As I was reading, I thought this book was pretty dark, but ultimately it left me feeling hopeful for Glory and her future. A.S. King manages to make all her books very different from each other, but equally sophisticated and surprising and awesome. Another winner from one of my favorite young adult authors!
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Wednesday, December 3, 2014
Revival
Revival by Stephen King (2014)
When Jamie Morton was just a kid in the 1960s, he was playing with toy soldiers in the driveway one day when a shadow fell over him. He looked up and saw the man he came to know as Pastor Charlie Jacobs, a man whose shadow would remain over Jamie even decades later.
Jamie grew up to become a musician and a drug addict, and he went through rough times and lost people close to him. Charlie also experienced loss and difficult times, but he always retained a fascination with electricity, and every time Jamie saw him he was using his strange electrical power in different ways. Whether he was using it for cheap tricks or to heal members of his new congregation he was obviously working towards something bigger, and the more Jamie learned the more fearful he became.
The way Stephen King describes his characters and their lives always brings me back to my childhood and, in fact, I read this while in Maine at my sister's house over Thanksgiving. (My family is just as rural and redneck as King's characters. We went skeet shooting after Thanksgiving dinner. No lie.) If you aren't from Maine, or somewhere similarly rural, you might not appreciate just how true to life his writing is. But he really gets it. I know Stephen King has lived his entire life in Maine, but he's more educated and far more wealthy than the people he's writing about, yet I don't think he's let his fame change him.
Science and religion are woven together through Charlie's evolving worldview. Early on, he explains religion as an extension of science because "science is finite." Later, after he has lost his faith, he uses religion as a cover because people will buy into it more than his weird science. It's sadly true, actually - people aren't willing to accept science they don't understand, yet they are willing to accept religious ideas that are much more far-fetched because of their faith. It's really kind of bizarre when you think about it.
I also liked the the concept of a "fifth business," someone who just keeps popping up at random times over the years, which is what Charlie Jacobs was to Jamie Morton. The very idea is somehow ominous, and here it was more so because Jamie knew that Charlie was up to something strange. I could kind of see where the story was going before it got there, but much about it was quite different than I expected. Through a lot of the book I kept thinking that it wasn't exactly a horror novel, but it is. It definitely is. Things happened near the end that made my blood run cold.
And I will leave you with that. It's Stephen King, and it's good Stephen King.
When Jamie Morton was just a kid in the 1960s, he was playing with toy soldiers in the driveway one day when a shadow fell over him. He looked up and saw the man he came to know as Pastor Charlie Jacobs, a man whose shadow would remain over Jamie even decades later.
Jamie grew up to become a musician and a drug addict, and he went through rough times and lost people close to him. Charlie also experienced loss and difficult times, but he always retained a fascination with electricity, and every time Jamie saw him he was using his strange electrical power in different ways. Whether he was using it for cheap tricks or to heal members of his new congregation he was obviously working towards something bigger, and the more Jamie learned the more fearful he became.
The way Stephen King describes his characters and their lives always brings me back to my childhood and, in fact, I read this while in Maine at my sister's house over Thanksgiving. (My family is just as rural and redneck as King's characters. We went skeet shooting after Thanksgiving dinner. No lie.) If you aren't from Maine, or somewhere similarly rural, you might not appreciate just how true to life his writing is. But he really gets it. I know Stephen King has lived his entire life in Maine, but he's more educated and far more wealthy than the people he's writing about, yet I don't think he's let his fame change him.
Science and religion are woven together through Charlie's evolving worldview. Early on, he explains religion as an extension of science because "science is finite." Later, after he has lost his faith, he uses religion as a cover because people will buy into it more than his weird science. It's sadly true, actually - people aren't willing to accept science they don't understand, yet they are willing to accept religious ideas that are much more far-fetched because of their faith. It's really kind of bizarre when you think about it.
I also liked the the concept of a "fifth business," someone who just keeps popping up at random times over the years, which is what Charlie Jacobs was to Jamie Morton. The very idea is somehow ominous, and here it was more so because Jamie knew that Charlie was up to something strange. I could kind of see where the story was going before it got there, but much about it was quite different than I expected. Through a lot of the book I kept thinking that it wasn't exactly a horror novel, but it is. It definitely is. Things happened near the end that made my blood run cold.
And I will leave you with that. It's Stephen King, and it's good Stephen King.
Tuesday, December 2, 2014
Top Ten Books for 2015
Top Ten Tuesday is hosted at the Broke and the Bookish. This week's list is Top Ten Books I'm Looking Forward to in 2015. I'm a bit behind because I'm still working on the books that came out in 2014. (You can see the list of top books I've been looking forward to in this post. I've read some of those already, but still have several to go.) But I do have 5 books that come out in 2015 that I'm already looking forward to.
1. West of Sunset by Stuart O'Nan (January)
2. Funny Girl by Nick Hornby (Now I'm getting conflicting reports on whether this comes out in 2015 or late 2014. Huh.)
3. The Alex Crow by Andrew Smith (March)
4. Love May Fail by Matthew Quick (June)
5. Dead Wake: The Last Crossing of the Lusitania by Erik Larson (March) Again, I don't read a ton of nonfiction, but I loved The Devil in the White City. I haven't read anything else by Larson since then, but this one looks really good!
The rest of my list is made up of 2014 books I still haven't gotten to:
6. I'll Give You the Sun by Jandy Nelson
7. The Paying Guests by Sarah Waters
8. Smoke Gets In Your Eyes: And Other Lessons from the Crematory by Caitlyn Doughty
9. Station Eleven by Emily St. John Mandel
10. It Will End With Us by Sam Savage - I only just realized this existed. Why am I not alerted when Sam Savage publishes a new book?
(I am also suddenly weirdly interested in the romance novel Never Judge a Lady by Her Cover by Sarah MacLean. I think this may be a side effect of reading War and Peace.)
Do you know what's crazy? I started to list Milbourn Falls by Jessica Spotswood, and then I was reminded that it's not out until 2016! I can't believe I already have a 2016 book on my list!
It actually stresses me out to look ahead to books being published even in 2015, considering there are books published long before I was born that I still haven't read. My TBR list is getting more and more out of control, and I really wish authors would just stop publishing for a while so I can catch up because that's the only way it's going to happen.
I can't believe I'm having such anxiety over this. I'm going to pretend we never had this conversation.
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