Tessa Masterson Will Go To Prom by Emily Franklin and Brendan Halpin (2012)
Lucas and Tessa have been best friends for so long, it seems almost inevitable that they will go to Prom together. But when Lucas pops the question in a very dramatic and public way, he is crushed by Tessa's response. Not only does she say no, but she reveals that she is gay and wants to attend Prom in a tux with a girl for a date. In true teenage boy fashion, Lucas doesn't take it well and reacts without thinking. The result is a maelstrom of media attention, a huge controversy, and - most upsetting of all - the apparent end of Lucas and Tessa's friendship.
Unlike most other YA books with gay characters, this isn't really a coming-out story, nor is there much about Tessa's relationship at all. It's more about friendship and supporting one another, but it's also fairly political, focusing a lot on the controversy, and you've got to give props to the authors for giving teens enough credit to be into that. Man, I wish I had read this book as a teenager, but of course we had nothing like it in the '80s.
The only flaws were minor - just a few conversations early in the book that didn't come across as natural - and I quickly got past that. I don't think most readers would even notice.
The characters were wonderfully imperfect. When faced with the first true test of their long friendship, neither Tessa nor Lucas responded in a particularly mature way, which is good - they're just teenagers and they are learning from this experience. Two-dimensional adult characters are common in YA books, but Lucas's mom was fleshed out with a personality and a history, and she was just fantastic. I also appreciated that the anti-Tessa crowd weren't complete haters. It's so easy to paint these situations black and white, but the authors didn't do that here. Some of them were totally anti-gay and protested in front of her family's store, but others were civil to her family and still supported their business.
There don't seem to ever be enough new young adult books that aren't paranormal or dystopias, so I was happy to spend time with these regular kids in their small midwest town as they navigate the sorts of problems real teens face. As a bonus, the cover isn't terrible. I even like the paperback version, even though the cover model's head is cut off. At least she's not wearing a fancy dress.
Both Tessa and Lucas were kids I'd be proud to call my friends, and I rooted for them - and their troubled friendship - the whole way through. In turn aggravating, nerve-wracking, and touching, this novel ultimately made me very happy in a warm, fuzzy glad-to-live-in-Massachusetts kind of way. I'm sorry it hasn't gotten more attention, but I'll be sure to recommend it to patrons at my library.
Thursday, September 20, 2012
Tuesday, September 18, 2012
The Cellist of Sarajevo
The Cellist of Sarajevo by Steven Galloway (2008)
One afternoon in Sarajevo, 22 people were killed by a mortar attack while waiting in line for bread. A cellist who witnessed the attack from his window decided to play every day on that spot for 22 days. Meanwhile, a young father risks his life to walk across town for water. An older man reconnects with a friend while he is on his way to get bread. A young sniper tries to protect the cellist from afar. Their city now barely recognizable, the inhabitants try to reconcile this new terrifying environment with the familiar home they know and love.
The first chapter is told from the viewpoint of the cellist, and the rest alternate between the other three characters. The prose is spare but beautiful. Though most of the story is internal and there is little action or dialogue to propel you, it's easy to fly through this short novel.
Though subtle, there are complex themes and difficult questions, as each character struggles to make choices that could mean life or death. Their decisions are small, mundane, and may be totally inconsequential. As the sniper Arrow observes, "There are no grand moments where a person does or does not perform the act that defines their humanity. There are only moments that appear, briefly, to be this way." But we do see small acts of great significance. Simply walking across an intersection is an incredibly brave act of resistance. Playing a piece of music on a cello is transformative.
I should mention that although this is a work of fiction, it is based on real events. A cellist named Vedran Smailovic played in ruined buildings during the siege of Sarajevo. Although unusual, the story isn't completely unique - and it's exactly the kind of story we refer to when we discuss the importance of the arts. Galloway deftly illustrates how music inspires hope in a city that desperately needs it.
One afternoon in Sarajevo, 22 people were killed by a mortar attack while waiting in line for bread. A cellist who witnessed the attack from his window decided to play every day on that spot for 22 days. Meanwhile, a young father risks his life to walk across town for water. An older man reconnects with a friend while he is on his way to get bread. A young sniper tries to protect the cellist from afar. Their city now barely recognizable, the inhabitants try to reconcile this new terrifying environment with the familiar home they know and love.
The first chapter is told from the viewpoint of the cellist, and the rest alternate between the other three characters. The prose is spare but beautiful. Though most of the story is internal and there is little action or dialogue to propel you, it's easy to fly through this short novel.
Though subtle, there are complex themes and difficult questions, as each character struggles to make choices that could mean life or death. Their decisions are small, mundane, and may be totally inconsequential. As the sniper Arrow observes, "There are no grand moments where a person does or does not perform the act that defines their humanity. There are only moments that appear, briefly, to be this way." But we do see small acts of great significance. Simply walking across an intersection is an incredibly brave act of resistance. Playing a piece of music on a cello is transformative.
I should mention that although this is a work of fiction, it is based on real events. A cellist named Vedran Smailovic played in ruined buildings during the siege of Sarajevo. Although unusual, the story isn't completely unique - and it's exactly the kind of story we refer to when we discuss the importance of the arts. Galloway deftly illustrates how music inspires hope in a city that desperately needs it.
Saturday, September 15, 2012
The Paris Wife
The Paris Wife by Paula McLain (2011)
In 1920 Chicago, Hadley Richardson is living with her sister and brother-in-law, and still recovering from her mother's death. When she meets and is wooed by a man named Ernest Hemingway, her life changes almost overnight. After their whirlwind courtship and wedding, the couple finds themselves part of a group of American expatriates in Paris. Their new friends are mostly writers who seemingly spend more time drinking than writing and for whom monogamy is passé. Now with a young child, the unfortunately nicknamed Bumby, Ernest struggles with his writing and Hadley tries to support him emotionally, all the while desperately trying to hold their marriage together.
Hadley is committed to helping Ernest succeed, and is willing to make sacrifices. Yet she sinks into complete despair when he must leave her for a few weeks on a writing assignment. Surrounded by friends with open relationships and multiple lovers, they nonetheless try to preserve their relationship, but it's a challenge from the start.
Of course we know from the beginning that their marriage will fail, but McLain tells the story so beautifully that it hardly matters. Her clean prose is so evocative of that place and time that it transports you there. It's one of those rare books which you can enjoy for the writing alone; I read some of the passages over and over because they were so exquisite.
More than anything, this book made me want to re-read The Sun Also Rises, which I haven't read since high school. What I mostly remember about it was everyone getting drunk and going to bullfights, and that atmosphere of hedonism and disillusionment is captured quite well in this novel. Whether happy or troubled, every occasion or mood called for a drink. Out for a night on the town with their friends, or home feeling despair about their crumbling relationship, Hadley and Ernest frequently turned to booze to celebrate or smooth things over. The results were the highest highs, the lowest lows, and an all-around moody novel, which I mean in the best way possible. Normally, I don't like to read fiction that gets this close to people who actually existed, but I'm glad I made an exception in this case.
In 1920 Chicago, Hadley Richardson is living with her sister and brother-in-law, and still recovering from her mother's death. When she meets and is wooed by a man named Ernest Hemingway, her life changes almost overnight. After their whirlwind courtship and wedding, the couple finds themselves part of a group of American expatriates in Paris. Their new friends are mostly writers who seemingly spend more time drinking than writing and for whom monogamy is passé. Now with a young child, the unfortunately nicknamed Bumby, Ernest struggles with his writing and Hadley tries to support him emotionally, all the while desperately trying to hold their marriage together.
Hadley is committed to helping Ernest succeed, and is willing to make sacrifices. Yet she sinks into complete despair when he must leave her for a few weeks on a writing assignment. Surrounded by friends with open relationships and multiple lovers, they nonetheless try to preserve their relationship, but it's a challenge from the start.
Of course we know from the beginning that their marriage will fail, but McLain tells the story so beautifully that it hardly matters. Her clean prose is so evocative of that place and time that it transports you there. It's one of those rare books which you can enjoy for the writing alone; I read some of the passages over and over because they were so exquisite.
More than anything, this book made me want to re-read The Sun Also Rises, which I haven't read since high school. What I mostly remember about it was everyone getting drunk and going to bullfights, and that atmosphere of hedonism and disillusionment is captured quite well in this novel. Whether happy or troubled, every occasion or mood called for a drink. Out for a night on the town with their friends, or home feeling despair about their crumbling relationship, Hadley and Ernest frequently turned to booze to celebrate or smooth things over. The results were the highest highs, the lowest lows, and an all-around moody novel, which I mean in the best way possible. Normally, I don't like to read fiction that gets this close to people who actually existed, but I'm glad I made an exception in this case.
Tuesday, September 11, 2012
The Absolutely True Diary of a Part-Time Indian
The Absolutely True Diary of a Part-Time Indian by Sherman Alexie (2007)
Junior was born with a variety of medical issues and has grown up on an Indian reservation, getting picked on because of his glasses and speech impediments. Comforted only by his best friend Rowdy and his talent for drawing cartoons, eventually Junior is convinced that he needs to leave the reservation and go to a high school twenty-two miles away.
Though Junior makes this decision to improve his life, it comes with a host of new problems. His unreliable parents usually aren't available to drive him to and from school, so he makes the trip with a combination of bus, hitchhiking and walking. Everyone on the reservation turns against him because they feel like he's betrayed them by attending a white school, including his best friend Rowdy who will no longer speak to him. Plus now he has to try and fit in at a new school where everything is different. But Junior sees his sister leave the reservation and pursue a happier life and it only makes him more determined to do the same.
Peppered throughout the book are Junior's cartoons and drawings, breaking up the text while adding color to his narration. This is a quick, quick read. I zipped through in one sitting in an evening, extremely unusual for me. I first read this book back in 2008, and I'm glad my Not-So-Young Adult book group at the library picked it to read and discuss because it's definitely worth a second reading.
The most striking thing about this novel is that Junior is probably the most genuine teenage narrative voice I've read. It's so hard to strike a balance in young adult fiction, making the voices self-aware and appealing enough to make a good book but still genuinely young, but Alexie has done it. Part of what makes it so realistic is Junior's colorful language, full of exaggeration and the occasional use of ALL CAPS and, of course, the fantastic illustrations. Pictures are a great way to communicate what you are unable to articulate in words and they work wonderfully here.
Junior's life on the reservation is filled with tragedy and despair, yet there is a strong sense of community that is not present in his other community in Reardan. On the reservation everybody knows everybody else and they share in each other's tragedies and joys. At school in Reardan, people may be better off, but they are also more isolated. Trying to bridge the gap, Junior sees exactly what he is losing and what he stands to gain.
Last night at book group, we talked a bit about how much we want to know what happened later. Some very tragic events happened during the course of the book and I don't know how Junior recovered and moved past them, but I believe he could. I wish there was a follow-up so we could revisit this funny, compelling character. In the meantime, if you haven't read this novel yet, what are you waiting for?
Junior was born with a variety of medical issues and has grown up on an Indian reservation, getting picked on because of his glasses and speech impediments. Comforted only by his best friend Rowdy and his talent for drawing cartoons, eventually Junior is convinced that he needs to leave the reservation and go to a high school twenty-two miles away.
Though Junior makes this decision to improve his life, it comes with a host of new problems. His unreliable parents usually aren't available to drive him to and from school, so he makes the trip with a combination of bus, hitchhiking and walking. Everyone on the reservation turns against him because they feel like he's betrayed them by attending a white school, including his best friend Rowdy who will no longer speak to him. Plus now he has to try and fit in at a new school where everything is different. But Junior sees his sister leave the reservation and pursue a happier life and it only makes him more determined to do the same.
Peppered throughout the book are Junior's cartoons and drawings, breaking up the text while adding color to his narration. This is a quick, quick read. I zipped through in one sitting in an evening, extremely unusual for me. I first read this book back in 2008, and I'm glad my Not-So-Young Adult book group at the library picked it to read and discuss because it's definitely worth a second reading.
The most striking thing about this novel is that Junior is probably the most genuine teenage narrative voice I've read. It's so hard to strike a balance in young adult fiction, making the voices self-aware and appealing enough to make a good book but still genuinely young, but Alexie has done it. Part of what makes it so realistic is Junior's colorful language, full of exaggeration and the occasional use of ALL CAPS and, of course, the fantastic illustrations. Pictures are a great way to communicate what you are unable to articulate in words and they work wonderfully here.
Junior's life on the reservation is filled with tragedy and despair, yet there is a strong sense of community that is not present in his other community in Reardan. On the reservation everybody knows everybody else and they share in each other's tragedies and joys. At school in Reardan, people may be better off, but they are also more isolated. Trying to bridge the gap, Junior sees exactly what he is losing and what he stands to gain.
Last night at book group, we talked a bit about how much we want to know what happened later. Some very tragic events happened during the course of the book and I don't know how Junior recovered and moved past them, but I believe he could. I wish there was a follow-up so we could revisit this funny, compelling character. In the meantime, if you haven't read this novel yet, what are you waiting for?
Sunday, September 9, 2012
Sunday Knitting
Hello! It's been a shamefully long time since I've posted about my knitting, and I'm afraid I have little to show for it. After posting about the Jack-in-the-Box Mittens lo those many weeks ago, they've languished in my knitting basket untouched until two days ago. When I picked them up again it took me a good twenty minutes to figure out where I had left off before I could start knitting again. I had helpfully left a post-it note over the part of the pattern where I had left off. Not so helpfully, the post-it had notes on it from a previous part of the pattern and I didn't realize for quite a while that although the post-it was relevant the writing on it was completely irrelevant. Anyhow, I eventually managed to pick up where I left off.
This will be so much nicer looking when it's done. Also! I totally forgot to take pictures of the back, which is where the cables are. So just imagine that you're looking at a really lovely cabled pattern.
I had forgotten the extent of my hatred for double-pointed needles. Honestly, how do any of you use these? Why do they still exist? They are the most fiddly, annoying, obnoxious tools that never fail to make me feel like I'm trying to juggle a porcupine. They manage to always be in the way of each other, yet not be close enough together to make the knitting come out right. They are so annoying they defy the laws of physics.
Anywho, in the picture the thumb stitches are on white scrap yarn and the palm stitches are on the purple scrap yarn. I'm knitting the top and just have another inch or so before binding off. Then I go back to the palm and thumb and finish those. Hopefully soon, then I can knit the other mitten, then I can burn those stupid needles so I never make the mistake of using them again.
I also finished my first Ribbed Lace Sock and have begun the second.
I know, it doesn't look like much, does it? But it feels great and will keep my feet warm this winter.
Progress has continued on my Les Mis Wrap as well, though I fear it may be a scarf instead of a shawl. More on that as it progresses. I only have 1.5 pattern repeats left out of a total of 12, so I'm nearing the finish line. I didn't take a picture because it just looks like a big mess of gray yarn right now and nobody wants to look at that. To be honest, I haven't even removed it entirely from my knitting bag in quite a while so I have no idea what it looks like myself. But it's definitely not pretty, I'm sure of that much.
It's sad to see summer coming to an end, but the bright spot is that summer is followed by knitting season. I intend to wrap up these projects and start on a whole slew of new ones - I've got pretty yarn and fun patterns just waiting for me. It's tempting to push these dull-colored projects aside and start on them. Seriously, I don't know what made me knit grey, dark green and off-white projects all at the same time, but I can't let that happen again!
This will be so much nicer looking when it's done. Also! I totally forgot to take pictures of the back, which is where the cables are. So just imagine that you're looking at a really lovely cabled pattern.
I had forgotten the extent of my hatred for double-pointed needles. Honestly, how do any of you use these? Why do they still exist? They are the most fiddly, annoying, obnoxious tools that never fail to make me feel like I'm trying to juggle a porcupine. They manage to always be in the way of each other, yet not be close enough together to make the knitting come out right. They are so annoying they defy the laws of physics.
Anywho, in the picture the thumb stitches are on white scrap yarn and the palm stitches are on the purple scrap yarn. I'm knitting the top and just have another inch or so before binding off. Then I go back to the palm and thumb and finish those. Hopefully soon, then I can knit the other mitten, then I can burn those stupid needles so I never make the mistake of using them again.
I also finished my first Ribbed Lace Sock and have begun the second.
Progress has continued on my Les Mis Wrap as well, though I fear it may be a scarf instead of a shawl. More on that as it progresses. I only have 1.5 pattern repeats left out of a total of 12, so I'm nearing the finish line. I didn't take a picture because it just looks like a big mess of gray yarn right now and nobody wants to look at that. To be honest, I haven't even removed it entirely from my knitting bag in quite a while so I have no idea what it looks like myself. But it's definitely not pretty, I'm sure of that much.
It's sad to see summer coming to an end, but the bright spot is that summer is followed by knitting season. I intend to wrap up these projects and start on a whole slew of new ones - I've got pretty yarn and fun patterns just waiting for me. It's tempting to push these dull-colored projects aside and start on them. Seriously, I don't know what made me knit grey, dark green and off-white projects all at the same time, but I can't let that happen again!
Friday, September 7, 2012
Pillars of the Earth
Pillars of the Earth by Ken Follett (1989)
It starts with a hanging, and a curse, and builder who wants to work on a cathedral. Then a baby is abandoned and brought to a monastery. An earl's son is spurned in marriage and takes revenge. Over the course of almost 1000 pages, these lives are woven together with many others throughout a civil war and the rise and fall of Kingsbridge and Shiring in England during the 1100s. There is so much plot here I won't even attempt to recount it.
Despite its daunting size, this isn't a difficult novel. It reads like domestic fiction, a very different experience from The Game of Kings, for example. Although there's a lot of political maneuvering, Follett does a good job of explaining it all simply and clearly. I didn't need to look up any history to understand what was going on. It's quite seamless and fits neatly into the narrative of the story.
The real strength of this novel is in the characters. Prior Philip was orphaned as a child and brought to live in a monastery. A man of God, Philip nevertheless has his faults and must remind himself to keep his pride in check. Philip is smart - some called him sly - and very good at manipulating situations to work out in his favor, but also to benefit others as well, thus making everyone happy. Philip really wants to do what is right, and is especially fair-minded and just when compared to the corrupt clergy surrounding him.
There are a couple of villains in the story, but my favorite was William Hamleigh, the spurned groom who took revenge on his intended wife's family by usurping the earldom from her father. He's the worst kind of brute (his favorite game is "stoning the cat") and he spends most of his life raping, pillaging, and robbing at every opportunity. His cruelty stems from his fear of being laughed at behind his back, and his terrified of hell, ironic given the number and severity of crimes he commits despite his fear.
I don't know if this was intentional, but the main female characters led unconventional lives. Ellen, the wife of Tom, master builder of the cathedral, spent a lot of her life living in the forest and was thought to be a witch. Aliena, the intended bride of William, became a shrewd businesswoman who avoided romance. Even Tom's daughter Martha preferred to remain single, an unusual choice. But I suppose that's what makes the novel so compelling.
Since the backdrop is the construction of a cathedral, there's a lot of information about architecture woven into the story. At times I found it hard to envision exactly what was being described, but I got the important points which were primarily concerned with the development of different styles of architecture and solving various problems in bringing the builder's vision to life.
It's a rather fascinating time period, what with the violence and savagery and horrid treatment of women. Not to mention the civil war and the uncertainty of who would win the throne. People were so helpless in controlling the circumstances of their own lives, and it was crushing to see how their security was pulled out from under them over and over again. If you want to spend some time with a book, reading a long story arc spanning decades of the characters' lives, this would be a good choice.
It starts with a hanging, and a curse, and builder who wants to work on a cathedral. Then a baby is abandoned and brought to a monastery. An earl's son is spurned in marriage and takes revenge. Over the course of almost 1000 pages, these lives are woven together with many others throughout a civil war and the rise and fall of Kingsbridge and Shiring in England during the 1100s. There is so much plot here I won't even attempt to recount it.
Despite its daunting size, this isn't a difficult novel. It reads like domestic fiction, a very different experience from The Game of Kings, for example. Although there's a lot of political maneuvering, Follett does a good job of explaining it all simply and clearly. I didn't need to look up any history to understand what was going on. It's quite seamless and fits neatly into the narrative of the story.
The real strength of this novel is in the characters. Prior Philip was orphaned as a child and brought to live in a monastery. A man of God, Philip nevertheless has his faults and must remind himself to keep his pride in check. Philip is smart - some called him sly - and very good at manipulating situations to work out in his favor, but also to benefit others as well, thus making everyone happy. Philip really wants to do what is right, and is especially fair-minded and just when compared to the corrupt clergy surrounding him.
There are a couple of villains in the story, but my favorite was William Hamleigh, the spurned groom who took revenge on his intended wife's family by usurping the earldom from her father. He's the worst kind of brute (his favorite game is "stoning the cat") and he spends most of his life raping, pillaging, and robbing at every opportunity. His cruelty stems from his fear of being laughed at behind his back, and his terrified of hell, ironic given the number and severity of crimes he commits despite his fear.
I don't know if this was intentional, but the main female characters led unconventional lives. Ellen, the wife of Tom, master builder of the cathedral, spent a lot of her life living in the forest and was thought to be a witch. Aliena, the intended bride of William, became a shrewd businesswoman who avoided romance. Even Tom's daughter Martha preferred to remain single, an unusual choice. But I suppose that's what makes the novel so compelling.
Since the backdrop is the construction of a cathedral, there's a lot of information about architecture woven into the story. At times I found it hard to envision exactly what was being described, but I got the important points which were primarily concerned with the development of different styles of architecture and solving various problems in bringing the builder's vision to life.
It's a rather fascinating time period, what with the violence and savagery and horrid treatment of women. Not to mention the civil war and the uncertainty of who would win the throne. People were so helpless in controlling the circumstances of their own lives, and it was crushing to see how their security was pulled out from under them over and over again. If you want to spend some time with a book, reading a long story arc spanning decades of the characters' lives, this would be a good choice.
Tuesday, September 4, 2012
Born Wicked
Born Wicked (The Cahill Witch Chronicles #1) by Jessica Spotswood, narrated by Nicole Sudhaus (2012)
Ever since their mother died, Cate has felt a responsibility to take care of her sisters. This proves especially difficult because they are ruled over by the Brotherhood, an oppressive group who seek out and persecute women for the least offense. Cate and her sisters are in great danger if anyone finds out about them because all three of them are witches. Tension mounts when Cate finds her mother's diary and learns of an ominous prophecy. On top of that she is nearing her birthday and will soon have to choose the path of her life, either marriage or joining the Sisterhood. A decision which at first seemed so clear, is becoming more and more difficult to make.
I always feel like it's easier to talk about why I dislike a certain book than why I like it, but in this case I absolutely understand why I loved this book.
As is probably clear to anyone who reads this blog or has ever talked to me about books, I have a soft spot for historical fiction. If it takes place in New England, all the better. But this isn't the New England with which we are familiar, nor is it the world we know. The Western US is colonized by Indo-China, the South under Spanish rule. When Cate and her peers talk about freedom they long for Dubai where women can vote and wear trousers. It's historical AND a dystopia!
I think what makes this book a better pick for me than some paranormals, like The Gathering Storm, is that although it includes paranormal elements they aren't the focus of the story. Obviously, there wouldn't be a story if Cate and her sisters weren't witches, but not many spells are cast during the novel - it's more about the way witches (and all women, when you really get down to it) are persecuted in this society.
Another thing I loved about this book was that Cate didn't exhibit those annoying qualities that plague so many young protagonists. For instance, she wasn't artificially stupid or naive to further the plot, and though there were times when I felt she should tell her sisters secrets she was hiding for seemingly no reason, she didn't hold out for long. Just when I thought she was beginning to act a little bone-headed, she would come through for me.
The narrator on the audio version had a great reading voice and added emotion without melodrama. Combined with the relative simplicity of the writing, this was a good audio pick!
Since this is the first in a series, things didn't wrap up tidily the way I wanted them to, which is why I'm not a writer. (I'm telling you, my books would be SO boring because I wouldn't let the villains be horrible enough nor would I keep the love interests apart for long.) I am only upset that I read this when it was so new. Honestly, I had no idea I'd like it this much and want to read the next books in the series. Now I have to wait until February for the (unfortunately titled) sequel, Star Cursed.
Ever since their mother died, Cate has felt a responsibility to take care of her sisters. This proves especially difficult because they are ruled over by the Brotherhood, an oppressive group who seek out and persecute women for the least offense. Cate and her sisters are in great danger if anyone finds out about them because all three of them are witches. Tension mounts when Cate finds her mother's diary and learns of an ominous prophecy. On top of that she is nearing her birthday and will soon have to choose the path of her life, either marriage or joining the Sisterhood. A decision which at first seemed so clear, is becoming more and more difficult to make.
I always feel like it's easier to talk about why I dislike a certain book than why I like it, but in this case I absolutely understand why I loved this book.
As is probably clear to anyone who reads this blog or has ever talked to me about books, I have a soft spot for historical fiction. If it takes place in New England, all the better. But this isn't the New England with which we are familiar, nor is it the world we know. The Western US is colonized by Indo-China, the South under Spanish rule. When Cate and her peers talk about freedom they long for Dubai where women can vote and wear trousers. It's historical AND a dystopia!
I think what makes this book a better pick for me than some paranormals, like The Gathering Storm, is that although it includes paranormal elements they aren't the focus of the story. Obviously, there wouldn't be a story if Cate and her sisters weren't witches, but not many spells are cast during the novel - it's more about the way witches (and all women, when you really get down to it) are persecuted in this society.
Another thing I loved about this book was that Cate didn't exhibit those annoying qualities that plague so many young protagonists. For instance, she wasn't artificially stupid or naive to further the plot, and though there were times when I felt she should tell her sisters secrets she was hiding for seemingly no reason, she didn't hold out for long. Just when I thought she was beginning to act a little bone-headed, she would come through for me.
The narrator on the audio version had a great reading voice and added emotion without melodrama. Combined with the relative simplicity of the writing, this was a good audio pick!
Since this is the first in a series, things didn't wrap up tidily the way I wanted them to, which is why I'm not a writer. (I'm telling you, my books would be SO boring because I wouldn't let the villains be horrible enough nor would I keep the love interests apart for long.) I am only upset that I read this when it was so new. Honestly, I had no idea I'd like it this much and want to read the next books in the series. Now I have to wait until February for the (unfortunately titled) sequel, Star Cursed.
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