The End of Night: Searching for Natural Darkness in an Age of Artificial Light by Paul Bogard (2013)
Several years ago, probably in 2013 when the book came out, I heard Paul Bogard interviewed and I've never forgotten it. He talked about how we have lit the world so brightly that it is difficult (if not impossible) to ever see stars, and that maybe we should reconsider the need to use lights everywhere, all the time. What stuck with me most was what he said about safety and security: that we often use these as reasoning for adding lights everywhere, but that it may actually make us less safe. I've thought about it ever since, but didn't think I'd ever have the motivation or stamina to read an entire book on the subject. What inspired me to pick it up was a recent trip I took to Maine; one of the things I was most looking forward to was seeing stars. It was overcast the whole time so there were none to be seen, and it made me think more about what I'm missing in the night sky by living in a city.
Surprisingly, I not only made it through the entire book, but I found it pretty interesting. Sometimes nonfiction books really could have been articles and they are heavily padded with excessive background information and tangents. When things started to get tangential here, though, it always retained at least some relevance and was always interesting. So although the book is about light pollution, I learned that there are still gas lamps and lamplighters in London, that once a Luna moth emerges from its cocoon it never eats again, and that when bats fly too close to turbines the pressure drop makes their lungs burst.
I learned about all the ways in which artificial light at night is bad for us and for animals. It upset circadian rhythms in most species, it negatively affects visibility with shadows and glare, and makes it easier to commit crimes at night because the people committing them can see what they're doing. There is apparently a possible connection between working night shifts and certain kinds of cancer, because we only produce melatonin while in natural darkness, and melatonin plays a role in preventing the growth of these types of cancer.
Paul Bogard visited many of the darkest places so he could see the natural night sky, and spoke often of the International Dark Sky Association which works to recognize places that have little or no artificial light at night. Some communities have taken steps to improve their lighting so it reduces the associated problems. It was surprising to learn about how inefficient and badly-planned lighting is in most places. But it was heartening to hear how many people are concerned about it and working to educate the public about these issues and make improvements in how we use light.
Part of me feels discouraged that I now have one more thing to worry about, but another part of me sees how easily the problems associated with light pollution could be solved with more education. We cling to our current practices out of ignorance about the issues. I found this book very easy to read for a nonfiction book without a linear story, and highly recommend it. Bogard makes a compelling case for preserving natural darkness, one that should interest anyone who cares about the environment and public health.
Sunday, November 24, 2019
Saturday, November 23, 2019
Baba Dunja's Last Love
Baba Dunja's Last Love by Alina Bronsky (2015)
Baba Dunja had to leave her village of Tschernowo after the Chernobyl disaster, but a year ago she came back despite warnings that radiation levels were still too dangerous. Some of her fellow villagers followed her and now they are living out their remaining years in relative peace. But a stranger shows up in their midst with a little girl and seems ready to stay there, and Baba Dunja will not hear of a healthy child being brought to such a place.
At just 135 pages, this novella is a quick, fun read and packs in quite a lot. It opens with Baba Dunja being awoken by Konstantin, her neighbor's rooster, which is a great introduction to the way this small group of people put up with each other every day. There are fewer than a dozen people in this village and they rely on each other, so they must get along. Because of the radiation, their families can't visit and Baba Dunja writes to her daughter in Germany frequently and receives packages from her, but her greatest sadness is that she has never met her granddaughter Laura, and is unlikely to.
I thought the title must refer to a late-in-life romance, but that's not at all what this is about. I thought for a while it might refer to her granddaughter, but I think her greatest love is for her home. It's a hard life in Tschernowo too, with no stores, no telephones, and no buses. When Baba Dunja wants to go to the nearest town for supplies, she must walk a couple of hours to a bus stop so it becomes an all-day affair. The rest of the time she subsists on vegetables from her garden, in which she takes great pride. It's not an easy life, but she still loves it.
Although I read and loved another book by Alina Bronsky, I had no real plans to read more of hers. But one day I was looking for something on the library shelves nearby and came across this and felt inspired to read it. The dark humor is similar to that of The Hottest Dishes of the Tartar Cuisine, but Baba Dunja is not cruel like that book's protagonist, making the tone of this one much more positive. If you like dark humor, quirky characters, or Russian literature, I highly recommend this author.
Baba Dunja had to leave her village of Tschernowo after the Chernobyl disaster, but a year ago she came back despite warnings that radiation levels were still too dangerous. Some of her fellow villagers followed her and now they are living out their remaining years in relative peace. But a stranger shows up in their midst with a little girl and seems ready to stay there, and Baba Dunja will not hear of a healthy child being brought to such a place.
At just 135 pages, this novella is a quick, fun read and packs in quite a lot. It opens with Baba Dunja being awoken by Konstantin, her neighbor's rooster, which is a great introduction to the way this small group of people put up with each other every day. There are fewer than a dozen people in this village and they rely on each other, so they must get along. Because of the radiation, their families can't visit and Baba Dunja writes to her daughter in Germany frequently and receives packages from her, but her greatest sadness is that she has never met her granddaughter Laura, and is unlikely to.
I thought the title must refer to a late-in-life romance, but that's not at all what this is about. I thought for a while it might refer to her granddaughter, but I think her greatest love is for her home. It's a hard life in Tschernowo too, with no stores, no telephones, and no buses. When Baba Dunja wants to go to the nearest town for supplies, she must walk a couple of hours to a bus stop so it becomes an all-day affair. The rest of the time she subsists on vegetables from her garden, in which she takes great pride. It's not an easy life, but she still loves it.
Although I read and loved another book by Alina Bronsky, I had no real plans to read more of hers. But one day I was looking for something on the library shelves nearby and came across this and felt inspired to read it. The dark humor is similar to that of The Hottest Dishes of the Tartar Cuisine, but Baba Dunja is not cruel like that book's protagonist, making the tone of this one much more positive. If you like dark humor, quirky characters, or Russian literature, I highly recommend this author.
Labels:
alina bronsky,
baba dunja's last love,
books,
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Wednesday, November 20, 2019
The Trauma Cleaner
The Trauma Cleaner: One Woman's Extraordinary Life in the Business of Death, Decay, and Disaster by Sarah Krasnostein (2017), narrated by Rachael Tidd
Sandra Pankhurst makes a living cleaning other people's houses, but only if there's been a death or a hoarding situation. She has specialized knowledge and equipment to deal with intense cleaning needs like bodily fluids, feces, and decomposition. This would all make her interesting enough, but she's also a transgender woman who transitioned back in a day when most people didn't realize that was possible.
Sandra's story is told by Sarah Krasnostein, who alternates between stories of Sandra's present-day work and her life growing up. She's in her 60s now and suffering from some pretty serious health problems, but she's still as lively and salty and competent as ever. This woman is super organized, knows how to talk to people who are justifying living in squalor, and has a deep compassion which is often tempered with an honest and often harsh attitude.
Krasnostein says that Sandra is not the most reliable narrator because she has a lot of problems with her memory and it made writing this book difficult. She did have help though, notably through interviewing Sandra's ex-wife Linda. They were together back when Sandra was living as a man and had two children before Sandra left. Their story was quite a sad one, with Linda's un-requited love for Sandra and the rift it left between Sandra and her children, who she was no longer allowed to see after the divorce.
But the worst part of Sandra's life had to be her childhood. Adopted by a couple with a daughter who weren't able to have more children, Sandra was welcome in the family until they were surprised by two more natural children, at which point Sandra was made to move into a shed in the yard and not allowed in the house after 4:30pm. They also apparently didn't feed her anymore. I don't know how parents can just stop loving a kid, or maybe they never really loved her, but they were just awful people. It was clear Sandra just wanted their love and acceptance and couldn't get it, and it only got worse once she came out as transgender.
I should mention this book takes place in Australia, but it sounds like the attitudes toward gay and transgender people is similar to in the U.S. It only makes Sandra's story more remarkable. There was a point in her 20s or 30s when she was working as a prostitute and she was raped and abused by a client - the most difficult part of the book to listen to - and she reported the crime. Shockingly, even though she was a transgender prostitute and this was the 1980s, the guy ended up sentenced to 6 years for the crime. What it must have taken for her to essentially lay herself bare in a court of law in order to see this case through really gives me pause. But Sandra was so matter-of-fact about everything; she knew how people felt about people like her, but at the same time had a strong enough sense of self-worth she didn't ever back down from a challenge.
Rachael Tidd reads the book with just the right notes of respect and empathy, as well as an Australian accent. I can't help but admire Sandra Pankhurst after learning so much about her, and the juxtaposition of her story and those of the clients she is helping gave me a lot to think about.
Sandra Pankhurst makes a living cleaning other people's houses, but only if there's been a death or a hoarding situation. She has specialized knowledge and equipment to deal with intense cleaning needs like bodily fluids, feces, and decomposition. This would all make her interesting enough, but she's also a transgender woman who transitioned back in a day when most people didn't realize that was possible.
Sandra's story is told by Sarah Krasnostein, who alternates between stories of Sandra's present-day work and her life growing up. She's in her 60s now and suffering from some pretty serious health problems, but she's still as lively and salty and competent as ever. This woman is super organized, knows how to talk to people who are justifying living in squalor, and has a deep compassion which is often tempered with an honest and often harsh attitude.
Krasnostein says that Sandra is not the most reliable narrator because she has a lot of problems with her memory and it made writing this book difficult. She did have help though, notably through interviewing Sandra's ex-wife Linda. They were together back when Sandra was living as a man and had two children before Sandra left. Their story was quite a sad one, with Linda's un-requited love for Sandra and the rift it left between Sandra and her children, who she was no longer allowed to see after the divorce.
But the worst part of Sandra's life had to be her childhood. Adopted by a couple with a daughter who weren't able to have more children, Sandra was welcome in the family until they were surprised by two more natural children, at which point Sandra was made to move into a shed in the yard and not allowed in the house after 4:30pm. They also apparently didn't feed her anymore. I don't know how parents can just stop loving a kid, or maybe they never really loved her, but they were just awful people. It was clear Sandra just wanted their love and acceptance and couldn't get it, and it only got worse once she came out as transgender.
I should mention this book takes place in Australia, but it sounds like the attitudes toward gay and transgender people is similar to in the U.S. It only makes Sandra's story more remarkable. There was a point in her 20s or 30s when she was working as a prostitute and she was raped and abused by a client - the most difficult part of the book to listen to - and she reported the crime. Shockingly, even though she was a transgender prostitute and this was the 1980s, the guy ended up sentenced to 6 years for the crime. What it must have taken for her to essentially lay herself bare in a court of law in order to see this case through really gives me pause. But Sandra was so matter-of-fact about everything; she knew how people felt about people like her, but at the same time had a strong enough sense of self-worth she didn't ever back down from a challenge.
Rachael Tidd reads the book with just the right notes of respect and empathy, as well as an Australian accent. I can't help but admire Sandra Pankhurst after learning so much about her, and the juxtaposition of her story and those of the clients she is helping gave me a lot to think about.
Labels:
audiobooks,
books,
lgbt,
nonfiction,
rachael tidd,
reviews,
sarah krasnostein,
trauma cleaner
Friday, November 15, 2019
These Shallow Graves
These Shallow Graves by Jennifer Donnelly (2015)
Jo Montfort is the daughter of a wealthy family in late 19th-century New York and her life is totally planned out. When she graduates from finishing school she'll marry Bram Aldrich, a plan that's been in place since they were children. But when Jo's father is killed, allegedly while cleaning his revolver, she suspects there is more to the story. So she starts digging, enlisting the help of reporter Eddie Gallagher, medical student and morgue employee Oscar Rubin, and a pickpocket called Fairy Fay. Following the long and winding trail of clues, Jo learns that there are more secrets in her family's business than she could ever have imagined and people who will go to any lengths to keep that information hidden.
As is the case with most heroines in novels, Jo is different from many other girls of her age and class. She wants to be a reporter like Nellie Bly, but her future has no room to pursue her own interests. The idea of marrying Bram isn't awful - they've been friends their whole lives and he's a genuinely good guy - but it doesn't excite her. Now, Eddie Gallagher excites her. She knows they can't have a future together unless she is willing to dash the hopes and dreams of both her family and Bram's, who have been long looking forward to uniting. She is trapped between what she wants and what is planned for her future, but right now she can't think about anything else except uncovering the web of lies and murder she has discovered. No matter how many warnings she gets from her uncle Phillip or from Eddie, she is compelled to keep looking.
Along the way she meets a young ruffian named Tumbler and a picketpocket her own age named Fay, both of whom Eddie knew growing up, and who work for a guy named The Tailor who provides them with food and shelter as long as they steal for him. He's compared to Fagan in Oliver Twist, but it hardly needs to be pointed out, the similarities are so glaring. There's even a scene in which Fay gives Jo a lesson in picking pockets that is almost straight out of the Dickens novel. I can't decide if it's a charming homage or a rip-off.
This isn't the only unoriginal part of this story, and I found some aspects of it completely predictable. For the intended audience of teenagers, though, I don't know if it would be. Presumably they haven't read lots of other stories yet that follow some of the paths this one does. Still, it was enjoyable and fun. I loved how Jo and Fay's friendship developed, and especially the conversation they had one night about their lives and freedom while walking over the Brooklyn Bridge and smoking. Their lives were so different it was difficult to understand each other in some ways, yet they both yearned for the same things and were both trapped in different ways. I liked Jo's ambitions to be a reporter, and how her knowledge of Nellie Bly helped her later in the book, and the way she struggled with the idea of marrying Bram, which wouldn't be terrible, but still not what she wanted. How hard was she willing to fight against a fate that was not bad, but only ok? This was a much better story than those in which young women are set to marry mean men they hate. Jo's life with Bram would be a comfortable one, and possibly even happy.
I've read a number of books by Jennifer Donnelly including the Tea Rose series and, most recently, Stepsister. While this book was maybe not as good as the others, I am happy to read anything she writes. She brings her historical settings alive, creates compelling characters, and always keeps me immersed in her stories.
Jo Montfort is the daughter of a wealthy family in late 19th-century New York and her life is totally planned out. When she graduates from finishing school she'll marry Bram Aldrich, a plan that's been in place since they were children. But when Jo's father is killed, allegedly while cleaning his revolver, she suspects there is more to the story. So she starts digging, enlisting the help of reporter Eddie Gallagher, medical student and morgue employee Oscar Rubin, and a pickpocket called Fairy Fay. Following the long and winding trail of clues, Jo learns that there are more secrets in her family's business than she could ever have imagined and people who will go to any lengths to keep that information hidden.
As is the case with most heroines in novels, Jo is different from many other girls of her age and class. She wants to be a reporter like Nellie Bly, but her future has no room to pursue her own interests. The idea of marrying Bram isn't awful - they've been friends their whole lives and he's a genuinely good guy - but it doesn't excite her. Now, Eddie Gallagher excites her. She knows they can't have a future together unless she is willing to dash the hopes and dreams of both her family and Bram's, who have been long looking forward to uniting. She is trapped between what she wants and what is planned for her future, but right now she can't think about anything else except uncovering the web of lies and murder she has discovered. No matter how many warnings she gets from her uncle Phillip or from Eddie, she is compelled to keep looking.
Along the way she meets a young ruffian named Tumbler and a picketpocket her own age named Fay, both of whom Eddie knew growing up, and who work for a guy named The Tailor who provides them with food and shelter as long as they steal for him. He's compared to Fagan in Oliver Twist, but it hardly needs to be pointed out, the similarities are so glaring. There's even a scene in which Fay gives Jo a lesson in picking pockets that is almost straight out of the Dickens novel. I can't decide if it's a charming homage or a rip-off.
This isn't the only unoriginal part of this story, and I found some aspects of it completely predictable. For the intended audience of teenagers, though, I don't know if it would be. Presumably they haven't read lots of other stories yet that follow some of the paths this one does. Still, it was enjoyable and fun. I loved how Jo and Fay's friendship developed, and especially the conversation they had one night about their lives and freedom while walking over the Brooklyn Bridge and smoking. Their lives were so different it was difficult to understand each other in some ways, yet they both yearned for the same things and were both trapped in different ways. I liked Jo's ambitions to be a reporter, and how her knowledge of Nellie Bly helped her later in the book, and the way she struggled with the idea of marrying Bram, which wouldn't be terrible, but still not what she wanted. How hard was she willing to fight against a fate that was not bad, but only ok? This was a much better story than those in which young women are set to marry mean men they hate. Jo's life with Bram would be a comfortable one, and possibly even happy.
I've read a number of books by Jennifer Donnelly including the Tea Rose series and, most recently, Stepsister. While this book was maybe not as good as the others, I am happy to read anything she writes. She brings her historical settings alive, creates compelling characters, and always keeps me immersed in her stories.
Labels:
books,
fiction,
jennifer donnelly,
mystery,
reviews,
these shallow graves,
young adult
Wednesday, November 13, 2019
The Guernsey Literary and Potato Peel Pie Society
The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows (2008)
I'm really pretty late to this party. This novel came out years ago and was very popular and I don't know why I never read it but it was probably because the title is so twee? But something made me add it to my To Read list recently and I ended up grabbing a copy when I was looking for something historical and cozy.
Just after WWII ends, an author named Juliet is casting about for a book idea when she receives a letter from a man named Dawsey Adams on the island of Guernsey. He came across a used copy of a book that used to belong to Juliet (and had her name and address inside the cover) and wrote to her to ask if she knew what else the author had written. He also mentioned a literary group on Guernsey that started up during the war, which intrigues Juliet so much that she asks for letters and stories from other members of the group and, eventually, goes to Guernsey to meet them all. The novel is told through letters between Juliet and the inhabitants of Guernsey, her friend Sophie, her editor, and various other people.
It was all very charming, though also filled with pain as so many of the characters were at the beginning of recovering from the war. Notably absent was Elizabeth McKenna, a member of the Literary society and mother to a young girl named Kit whose father was a German soldier. Elisabeth was caught harboring a prisoner and taken away and nobody yet knows what happened to her.
The characters were all quite delightful and Juliet quickly came to love them and their home. During the course of the book, before she leaves London for Guernsey, she is courted by a publisher whose name I've already forgotten, but it's clear from the beginning that he's not right for her. He's all about fancy dinners and flowers and parties and is completely uninterested in her newfound interest in the people of Guernsey and their stories. You can guess early on who she's actually going to end up with, which isn't a criticism, but my real criticism is that it came about so abruptly. They pined for each other in silence and then in the course of one page they declared their undying love with no buildup whatsoever.
But the romance wasn't the important part of the book, and I did quite enjoy getting to know all the characters and hoping that Elizabeth would stay there after completing her book research. There were a lot of funny moments and some very sweet ones, and all in all it was satisfying. I don't think I loved it as much as most people (it was a bit twee) but it was fun and a good choice of reading during a weekend when I was sick.
I'm really pretty late to this party. This novel came out years ago and was very popular and I don't know why I never read it but it was probably because the title is so twee? But something made me add it to my To Read list recently and I ended up grabbing a copy when I was looking for something historical and cozy.
Just after WWII ends, an author named Juliet is casting about for a book idea when she receives a letter from a man named Dawsey Adams on the island of Guernsey. He came across a used copy of a book that used to belong to Juliet (and had her name and address inside the cover) and wrote to her to ask if she knew what else the author had written. He also mentioned a literary group on Guernsey that started up during the war, which intrigues Juliet so much that she asks for letters and stories from other members of the group and, eventually, goes to Guernsey to meet them all. The novel is told through letters between Juliet and the inhabitants of Guernsey, her friend Sophie, her editor, and various other people.
It was all very charming, though also filled with pain as so many of the characters were at the beginning of recovering from the war. Notably absent was Elizabeth McKenna, a member of the Literary society and mother to a young girl named Kit whose father was a German soldier. Elisabeth was caught harboring a prisoner and taken away and nobody yet knows what happened to her.
The characters were all quite delightful and Juliet quickly came to love them and their home. During the course of the book, before she leaves London for Guernsey, she is courted by a publisher whose name I've already forgotten, but it's clear from the beginning that he's not right for her. He's all about fancy dinners and flowers and parties and is completely uninterested in her newfound interest in the people of Guernsey and their stories. You can guess early on who she's actually going to end up with, which isn't a criticism, but my real criticism is that it came about so abruptly. They pined for each other in silence and then in the course of one page they declared their undying love with no buildup whatsoever.
But the romance wasn't the important part of the book, and I did quite enjoy getting to know all the characters and hoping that Elizabeth would stay there after completing her book research. There were a lot of funny moments and some very sweet ones, and all in all it was satisfying. I don't think I loved it as much as most people (it was a bit twee) but it was fun and a good choice of reading during a weekend when I was sick.
Sunday, November 10, 2019
Life's Work
Life's Work by Dr. Willie Parker (2017)
A fundamentalist Christian from the South, Willie Parker became an ob/gyn doctor. For a while he didn't perform abortions, but after being inspired by Dr. Martin Luther King Jr.'s interpretation of the Good Samaritan, he focused his career entirely on providing abortions. His philosophy is that he should be helping women who need it without judging them, and given how few doctors there are in the South who will perform abortions he now spends all his time there, traveling from clinic to clinic.
I was struck by a number of things while reading Dr. Parker's story. One was his complete and utter devotion to his work. Despite being legal and upheld by the Constitution, abortion remains controversial and a target, which means that Dr. Parker is also a target. He has had colleagues who perform abortion and have been murdered for it, or whose families have been threatened. This is one reason, he says, why he has not married or had children. I do wish he had talked a bit more about that because I didn't get a sense of how much of a sacrifice that was. Was he even interested in marriage? Did he avoid dating because of his job? It honestly sounds like he's so busy in his career that he doesn't have time for anything else.
Also, I was struck by his respect for women. He talks about how they know their own lives better than anyone else, and how by the time they get to the clinic (which is not easy, given how far some have to travel, and how hard it can be to scrape together the money) they've spent a lot of time thinking about their choice and he is confident that they're making the best decisions they can for themselves and their families. He doesn't question or judge those decisions.
There are situations, however, in which he will not perform an abortion. He won't do them after 25 weeks, but will refer the woman to someone who will. He won't do one if he thinks the woman doesn't actually want it, if he thinks she's being pressured by her partner or by a parent. Interestingly, he also won't do it if the choice is based on the gender or race of the fetus.
Another surprising thing about this book that I appreciated was that he explained the whole process of an abortion, which is something that nobody ever really talks about specifically. Although something like one third of women have had abortions, I imagine a lot of them go into it not knowing what to expect and for everyone else the whole process remains a mystery. It was good to see it all explained and know what is actually involved.
The book is about more than just his experiences; he also talks about political and societal issues. For instance, he is disappointed that the left has adopted the idea that abortion is always a sad, tragic choice. He feels like it doesn't do the pro-choice movement any good to assign such moral weight to a medical, practical procedure. He also talks about the fetishization of motherhood and children in our culture, and how we so often view birth as a miracle, when in fact it's just an ordinary biological process. This also only serves to fuel the anti-abortion movement. He feels that there's no intrinsic moral value to becoming a mother, or not becoming a mother. I totally agree with all of these views.
I found this whole book very enlightening and thoughtful and thought-provoking. I'm not very interested in religion, but I even found his religious evolution interesting. I can't help but admire Dr. Parker for his respect for women and commitment to justice. Many of us talk the talk about abortion rights, but he is really walking the walk. This is a great complement to another book I read not long ago, Pro by Katha Pollitt.
A fundamentalist Christian from the South, Willie Parker became an ob/gyn doctor. For a while he didn't perform abortions, but after being inspired by Dr. Martin Luther King Jr.'s interpretation of the Good Samaritan, he focused his career entirely on providing abortions. His philosophy is that he should be helping women who need it without judging them, and given how few doctors there are in the South who will perform abortions he now spends all his time there, traveling from clinic to clinic.
I was struck by a number of things while reading Dr. Parker's story. One was his complete and utter devotion to his work. Despite being legal and upheld by the Constitution, abortion remains controversial and a target, which means that Dr. Parker is also a target. He has had colleagues who perform abortion and have been murdered for it, or whose families have been threatened. This is one reason, he says, why he has not married or had children. I do wish he had talked a bit more about that because I didn't get a sense of how much of a sacrifice that was. Was he even interested in marriage? Did he avoid dating because of his job? It honestly sounds like he's so busy in his career that he doesn't have time for anything else.
Also, I was struck by his respect for women. He talks about how they know their own lives better than anyone else, and how by the time they get to the clinic (which is not easy, given how far some have to travel, and how hard it can be to scrape together the money) they've spent a lot of time thinking about their choice and he is confident that they're making the best decisions they can for themselves and their families. He doesn't question or judge those decisions.
There are situations, however, in which he will not perform an abortion. He won't do them after 25 weeks, but will refer the woman to someone who will. He won't do one if he thinks the woman doesn't actually want it, if he thinks she's being pressured by her partner or by a parent. Interestingly, he also won't do it if the choice is based on the gender or race of the fetus.
Another surprising thing about this book that I appreciated was that he explained the whole process of an abortion, which is something that nobody ever really talks about specifically. Although something like one third of women have had abortions, I imagine a lot of them go into it not knowing what to expect and for everyone else the whole process remains a mystery. It was good to see it all explained and know what is actually involved.
The book is about more than just his experiences; he also talks about political and societal issues. For instance, he is disappointed that the left has adopted the idea that abortion is always a sad, tragic choice. He feels like it doesn't do the pro-choice movement any good to assign such moral weight to a medical, practical procedure. He also talks about the fetishization of motherhood and children in our culture, and how we so often view birth as a miracle, when in fact it's just an ordinary biological process. This also only serves to fuel the anti-abortion movement. He feels that there's no intrinsic moral value to becoming a mother, or not becoming a mother. I totally agree with all of these views.
I found this whole book very enlightening and thoughtful and thought-provoking. I'm not very interested in religion, but I even found his religious evolution interesting. I can't help but admire Dr. Parker for his respect for women and commitment to justice. Many of us talk the talk about abortion rights, but he is really walking the walk. This is a great complement to another book I read not long ago, Pro by Katha Pollitt.
Labels:
books,
dr. willie parker,
life's work,
nonfiction,
reviews
Wednesday, November 6, 2019
Heartbreaker
Heartbreaker by Claudia Dey (2018)
So it's 1985 and Pony Darlene Fontaine is the first of three narrators of this novel, the second two being a dog and a teenage boy. Pony lives in a place known as The Territory and nobody there has ever been outside except for Pony's mother, Billie Jean Fontaine, who arrived under mysterious circumstances. The book takes places over just a couple of days when Billie Jean goes missing, but it includes much more story than just two days worth.
The timeline can be hard to follow and it also gets a little difficult to keep everyone's relationships straight because they're all having affairs with each other and are also related to others in unexpected ways because of the affairs and the resulting secrets regarding who is who else's parents. I kept thinking something was happening in the present, but it turns out it was happening during some past event, or vice versa, which definitely affected my understanding of the story.
A lot about this book was confusing. This town was originally settled by a cult, but we don't know much about that cult. The people have some odd traditions and ways of speaking, which I assume is related to that cult that we know very little about. Also...ok, it's kind of a spoiler but it needs to be said: it doesn't actually take place in 1985, which I suspected from the beginning because nobody has contact with the outside world so how would they know about 80s trends and music? But it doesn't explain why they all have failed to keep track of what year it is. I mean, is it ALWAYS 1985? Or did they just restart their calendars in some weird year at some point? This is not explained and it bothers me.
At the same time, it's such a unique, unusual book that I can't help but admire this author's imagination. The traditions of the community are odd and mundane at the same time. The men all have nicknames given to them when they're teenagers or a little older, and those are the names they are always called afterward. Pony's father is known as The Heavy, and some of the other guys are Traps, Supernatural, Neon Dean, and Sexeteria. The girls wear necklaces with their names on it, and they are expected to own two tracksuits: one for inside and one for outside, but even the outside one is just for at home like if you're working in the yard. They always refer to coats as their "outerwear" and pajamas as "nightpants," both of which contribute to how stilted their language sounds sometimes. The teenagers all have to donate blood regularly, which is sold to the outside world and this is how the Territory survives financially. But they don't have any especially colorful beliefs about life, their origins, or the world.
There's tragedy though, so much tragedy. From The Heavy, who was burned badly when he tried in vain to save his parents and sister from their burning house, to the suicide of Pony's best friend's mom, to the death of a baby that is alluded to all through the book and about which we finally learn the truth near the end. Imagine living in a small, insular community where there are (almost) no newcomers and nobody ever leaves. You'll never meet anyone who you haven't always known.
In summary, I don't even know how to summarize my thoughts about this very odd book. I definitely enjoyed reading it, even though I didn't always quite understand what was going on, and it is certainly pretty different from any other book I've read. It's flawed, or maybe the flaws have more to do with my understanding than the book itself. It's hard to say. I'm sure this book is not for everyone, but if you want something really different, you might give this one a try.
So it's 1985 and Pony Darlene Fontaine is the first of three narrators of this novel, the second two being a dog and a teenage boy. Pony lives in a place known as The Territory and nobody there has ever been outside except for Pony's mother, Billie Jean Fontaine, who arrived under mysterious circumstances. The book takes places over just a couple of days when Billie Jean goes missing, but it includes much more story than just two days worth.
The timeline can be hard to follow and it also gets a little difficult to keep everyone's relationships straight because they're all having affairs with each other and are also related to others in unexpected ways because of the affairs and the resulting secrets regarding who is who else's parents. I kept thinking something was happening in the present, but it turns out it was happening during some past event, or vice versa, which definitely affected my understanding of the story.
A lot about this book was confusing. This town was originally settled by a cult, but we don't know much about that cult. The people have some odd traditions and ways of speaking, which I assume is related to that cult that we know very little about. Also...ok, it's kind of a spoiler but it needs to be said: it doesn't actually take place in 1985, which I suspected from the beginning because nobody has contact with the outside world so how would they know about 80s trends and music? But it doesn't explain why they all have failed to keep track of what year it is. I mean, is it ALWAYS 1985? Or did they just restart their calendars in some weird year at some point? This is not explained and it bothers me.
At the same time, it's such a unique, unusual book that I can't help but admire this author's imagination. The traditions of the community are odd and mundane at the same time. The men all have nicknames given to them when they're teenagers or a little older, and those are the names they are always called afterward. Pony's father is known as The Heavy, and some of the other guys are Traps, Supernatural, Neon Dean, and Sexeteria. The girls wear necklaces with their names on it, and they are expected to own two tracksuits: one for inside and one for outside, but even the outside one is just for at home like if you're working in the yard. They always refer to coats as their "outerwear" and pajamas as "nightpants," both of which contribute to how stilted their language sounds sometimes. The teenagers all have to donate blood regularly, which is sold to the outside world and this is how the Territory survives financially. But they don't have any especially colorful beliefs about life, their origins, or the world.
There's tragedy though, so much tragedy. From The Heavy, who was burned badly when he tried in vain to save his parents and sister from their burning house, to the suicide of Pony's best friend's mom, to the death of a baby that is alluded to all through the book and about which we finally learn the truth near the end. Imagine living in a small, insular community where there are (almost) no newcomers and nobody ever leaves. You'll never meet anyone who you haven't always known.
In summary, I don't even know how to summarize my thoughts about this very odd book. I definitely enjoyed reading it, even though I didn't always quite understand what was going on, and it is certainly pretty different from any other book I've read. It's flawed, or maybe the flaws have more to do with my understanding than the book itself. It's hard to say. I'm sure this book is not for everyone, but if you want something really different, you might give this one a try.
Labels:
books,
claudia dey,
fiction,
heartbreaker,
reviews
Sunday, November 3, 2019
Far From the Tree
Far From the Tree by Robin Benway (2017), narrated by Julia Whelan
Robin Benway has really outdone herself and I have no idea why it took me so long to check out this book, given all the enthusiastic reviews I've read of it in the last couple of years.
It begins with Grace, who accidentally became pregnant and gave her baby up for adoption, spurring her to seek out her own birth mother. Instead, her parents put her in touch with her biological sister, Maya, and the two of them find their older biological brother, Joaquin. Grace and Maya were adopted as babies, but Joaquin, now 17, has been in foster care the whole time. His current foster parents want to adopt him, but he's afraid of what might happen based on past experiences. Maya is also having kind of a rough time, dealing with her mother's secret alcoholism and her parents' unhappy marriage. But all three are stronger now that they have the support of their newfound siblings.
I loved everything about this book. All of it. The characters were amazing and imperfect and different from each other, and I loved how the siblings are in totally different family situations but understand one another fundamentally because they were given up by the same mother. It was believable how they all hesitated to share their deepest secrets with each other for fear of rejection. Most of all I loved how they were there for each other when it really mattered.
We started with Grace and I found her story the most painful of all, I think. She was viewed by Maya and Joaquin as a total good girl, and she probably was. She had supportive parents, did well in school, and never got into trouble. But when she became pregnant by her boyfriend Max, his parents made it clear that they wouldn't let her pregnancy - which they viewed as totally Grace's fault - get in the way of his future success. While Grace labored to have their baby, Max was being crowned homecoming king. He had a new girlfriend and everything was perfect for him. Meanwhile, Grace no longer had friends, the other kids called her "baby mama" and a slut. She knew that giving her baby (who she thought of as "Peach") to a more adult, stable couple was the right thing to do, but she also felt guilty and worried so much about what would happen to her. Her desperate need to find her birth mother was partly just so she could let her know that she is ok.
Each one of these kids had a great story, made up of bad luck and misguided decisions, and it was really fantastic to see how they came together and helped each other, and to see their joined story unfold. Julia Whelan is an excellent narrator and I was glad to see her name on this book. If you like teen books or books about sibling relationships I highly recommend this one, and I also suggest you check out Robin Benway's other books because they're all great!
Robin Benway has really outdone herself and I have no idea why it took me so long to check out this book, given all the enthusiastic reviews I've read of it in the last couple of years.
It begins with Grace, who accidentally became pregnant and gave her baby up for adoption, spurring her to seek out her own birth mother. Instead, her parents put her in touch with her biological sister, Maya, and the two of them find their older biological brother, Joaquin. Grace and Maya were adopted as babies, but Joaquin, now 17, has been in foster care the whole time. His current foster parents want to adopt him, but he's afraid of what might happen based on past experiences. Maya is also having kind of a rough time, dealing with her mother's secret alcoholism and her parents' unhappy marriage. But all three are stronger now that they have the support of their newfound siblings.
I loved everything about this book. All of it. The characters were amazing and imperfect and different from each other, and I loved how the siblings are in totally different family situations but understand one another fundamentally because they were given up by the same mother. It was believable how they all hesitated to share their deepest secrets with each other for fear of rejection. Most of all I loved how they were there for each other when it really mattered.
We started with Grace and I found her story the most painful of all, I think. She was viewed by Maya and Joaquin as a total good girl, and she probably was. She had supportive parents, did well in school, and never got into trouble. But when she became pregnant by her boyfriend Max, his parents made it clear that they wouldn't let her pregnancy - which they viewed as totally Grace's fault - get in the way of his future success. While Grace labored to have their baby, Max was being crowned homecoming king. He had a new girlfriend and everything was perfect for him. Meanwhile, Grace no longer had friends, the other kids called her "baby mama" and a slut. She knew that giving her baby (who she thought of as "Peach") to a more adult, stable couple was the right thing to do, but she also felt guilty and worried so much about what would happen to her. Her desperate need to find her birth mother was partly just so she could let her know that she is ok.
Each one of these kids had a great story, made up of bad luck and misguided decisions, and it was really fantastic to see how they came together and helped each other, and to see their joined story unfold. Julia Whelan is an excellent narrator and I was glad to see her name on this book. If you like teen books or books about sibling relationships I highly recommend this one, and I also suggest you check out Robin Benway's other books because they're all great!
Labels:
audiobooks,
books,
far from the tree,
fiction,
julia whelan,
reviews,
robin benway,
young adult
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